The Question of “Female Gaze”:

This paper problematizes the issue of an “active female gaze” as opposed to the passive one determined by the dominant ideological system that produces an “active male gaze” in narratives of cinema and advertisements. In mainstream cinema as well as the advertisement industry, usually the story is...

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Main Author: Farhana Susmita
Format: Article
Language:English
Published: ULAB Press 2015-08-01
Series:Crossings
Online Access:https://journals.ulab.edu.bd/index.php/crossings/article/view/219
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author Farhana Susmita
author_facet Farhana Susmita
author_sort Farhana Susmita
collection DOAJ
description This paper problematizes the issue of an “active female gaze” as opposed to the passive one determined by the dominant ideological system that produces an “active male gaze” in narratives of cinema and advertisements. In mainstream cinema as well as the advertisement industry, usually the story is rendered from an essentially male perspective, regardless of the narrator’s being male or female. It is so even when the subject matter is related to issues that directly concern women like the repression of their desires or Lesbianism, for instance. Using some of the key ideas propounded by British film critic Laura Mulvey, the paper examines some of the texts from both cinema and the advertisement industry to find out the complex mechanism of the “male gaze.” It also attempts to explore the possibility of a “female gaze” that might, if achieved, give new dimensions to both forms of entertainment.
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spelling doaj.art-20226a965918410da5d4f534ae929f312023-10-16T04:22:36ZengULAB PressCrossings2071-11072958-31792015-08-016110.59817/cjes.v6i.219The Question of “Female Gaze”:Farhana Susmita0Lecturer, Dept. of English, Jagannath University, Dhaka This paper problematizes the issue of an “active female gaze” as opposed to the passive one determined by the dominant ideological system that produces an “active male gaze” in narratives of cinema and advertisements. In mainstream cinema as well as the advertisement industry, usually the story is rendered from an essentially male perspective, regardless of the narrator’s being male or female. It is so even when the subject matter is related to issues that directly concern women like the repression of their desires or Lesbianism, for instance. Using some of the key ideas propounded by British film critic Laura Mulvey, the paper examines some of the texts from both cinema and the advertisement industry to find out the complex mechanism of the “male gaze.” It also attempts to explore the possibility of a “female gaze” that might, if achieved, give new dimensions to both forms of entertainment. https://journals.ulab.edu.bd/index.php/crossings/article/view/219
spellingShingle Farhana Susmita
The Question of “Female Gaze”:
Crossings
title The Question of “Female Gaze”:
title_full The Question of “Female Gaze”:
title_fullStr The Question of “Female Gaze”:
title_full_unstemmed The Question of “Female Gaze”:
title_short The Question of “Female Gaze”:
title_sort question of female gaze
url https://journals.ulab.edu.bd/index.php/crossings/article/view/219
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