The Self-Promotion of a Libertine Bad Boy

The Rijksmuseum in Amsterdam owns one of the most curious portraits ever made in the seventeenth century – the likeness of the Dutch classical scholar and notorious erotomaniac Hadriaan Beverland (1650-1716), who was banished from the Dutch Republic in 1679 because of his scandalous publications. In...

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Main Author: Joyce Zelen
Format: Article
Language:English
Published: The Rijksmuseum Publications Department 2018-12-01
Series:The Rijksmuseum Bulletin
Online Access:https://bulletin.rijksmuseum.nl/article/view/9764
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author Joyce Zelen
author_facet Joyce Zelen
author_sort Joyce Zelen
collection DOAJ
description The Rijksmuseum in Amsterdam owns one of the most curious portraits ever made in the seventeenth century – the likeness of the Dutch classical scholar and notorious erotomaniac Hadriaan Beverland (1650-1716), who was banished from the Dutch Republic in 1679 because of his scandalous publications. In the portrait – a brunaille – the libertine rake sits at a table with a prostitute; a provocative scene. Why did this young humanist promote such a confrontational image of himself? In this article the author analyses the portrait and explores Beverland’s motives for his remarkable manner of self-promotion, going on to argue that it was the starting point for a calculated campaign of portraits. Over the years Beverland commissioned at least four more portraits of himself, including one in which he is shown drawing the naked back of a statue of Venus. Each of his portraits was conceived with a view to giving his changeable reputation a push in the right direction. They attest to a remarkable and extraordinarily self-assured expression of identity seldom encountered in seventeenth-century portraiture.
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spelling doaj.art-20769353a0c6490c9125be02c249518b2022-12-21T20:13:19ZengThe Rijksmuseum Publications DepartmentThe Rijksmuseum Bulletin1877-81272772-61262018-12-0166410.52476/trb.9764The Self-Promotion of a Libertine Bad BoyJoyce ZelenThe Rijksmuseum in Amsterdam owns one of the most curious portraits ever made in the seventeenth century – the likeness of the Dutch classical scholar and notorious erotomaniac Hadriaan Beverland (1650-1716), who was banished from the Dutch Republic in 1679 because of his scandalous publications. In the portrait – a brunaille – the libertine rake sits at a table with a prostitute; a provocative scene. Why did this young humanist promote such a confrontational image of himself? In this article the author analyses the portrait and explores Beverland’s motives for his remarkable manner of self-promotion, going on to argue that it was the starting point for a calculated campaign of portraits. Over the years Beverland commissioned at least four more portraits of himself, including one in which he is shown drawing the naked back of a statue of Venus. Each of his portraits was conceived with a view to giving his changeable reputation a push in the right direction. They attest to a remarkable and extraordinarily self-assured expression of identity seldom encountered in seventeenth-century portraiture.https://bulletin.rijksmuseum.nl/article/view/9764
spellingShingle Joyce Zelen
The Self-Promotion of a Libertine Bad Boy
The Rijksmuseum Bulletin
title The Self-Promotion of a Libertine Bad Boy
title_full The Self-Promotion of a Libertine Bad Boy
title_fullStr The Self-Promotion of a Libertine Bad Boy
title_full_unstemmed The Self-Promotion of a Libertine Bad Boy
title_short The Self-Promotion of a Libertine Bad Boy
title_sort self promotion of a libertine bad boy
url https://bulletin.rijksmuseum.nl/article/view/9764
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