Human Genomics and the Biocultural Origin of Music

Music is an exclusive feature of humankind. It can be considered as a form of universal communication, only partly comparable to the vocalizations of songbirds. Many trends of research in this field try to address music origins, as well as the genetic bases of musicality. On one hand, several hypoth...

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Main Authors: Livia Beccacece, Paolo Abondio, Elisabetta Cilli, Donatella Restani, Donata Luiselli
Format: Article
Language:English
Published: MDPI AG 2021-05-01
Series:International Journal of Molecular Sciences
Subjects:
Online Access:https://www.mdpi.com/1422-0067/22/10/5397
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author Livia Beccacece
Paolo Abondio
Elisabetta Cilli
Donatella Restani
Donata Luiselli
author_facet Livia Beccacece
Paolo Abondio
Elisabetta Cilli
Donatella Restani
Donata Luiselli
author_sort Livia Beccacece
collection DOAJ
description Music is an exclusive feature of humankind. It can be considered as a form of universal communication, only partly comparable to the vocalizations of songbirds. Many trends of research in this field try to address music origins, as well as the genetic bases of musicality. On one hand, several hypotheses have been made on the evolution of music and its role, but there is still debate, and comparative studies suggest a gradual evolution of some abilities underlying musicality in primates. On the other hand, genome-wide studies highlight several genes associated with musical aptitude, confirming a genetic basis for different musical skills which humans show. Moreover, some genes associated with musicality are involved also in singing and song learning in songbirds, suggesting a likely evolutionary convergence between humans and songbirds. This comprehensive review aims at presenting the concept of music as a sociocultural manifestation within the current debate about its biocultural origin and evolutionary function, in the context of the most recent discoveries related to the cross-species genetics of musical production and perception.
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spelling doaj.art-20d38219a34743609c0d50cf8b5657f52023-11-21T20:38:25ZengMDPI AGInternational Journal of Molecular Sciences1661-65961422-00672021-05-012210539710.3390/ijms22105397Human Genomics and the Biocultural Origin of MusicLivia Beccacece0Paolo Abondio1Elisabetta Cilli2Donatella Restani3Donata Luiselli4Laboratory of Molecular Anthropology, Department of Biological, Geological and Environmental Sciences, University of Bologna, 40126 Bologna, ItalyLaboratory of Molecular Anthropology, Department of Biological, Geological and Environmental Sciences, University of Bologna, 40126 Bologna, ItalyDepartment of Cultural Heritage, University of Bologna—Ravenna Campus, 48121 Ravenna, ItalyDepartment of Cultural Heritage, University of Bologna—Ravenna Campus, 48121 Ravenna, ItalyDepartment of Cultural Heritage, University of Bologna—Ravenna Campus, 48121 Ravenna, ItalyMusic is an exclusive feature of humankind. It can be considered as a form of universal communication, only partly comparable to the vocalizations of songbirds. Many trends of research in this field try to address music origins, as well as the genetic bases of musicality. On one hand, several hypotheses have been made on the evolution of music and its role, but there is still debate, and comparative studies suggest a gradual evolution of some abilities underlying musicality in primates. On the other hand, genome-wide studies highlight several genes associated with musical aptitude, confirming a genetic basis for different musical skills which humans show. Moreover, some genes associated with musicality are involved also in singing and song learning in songbirds, suggesting a likely evolutionary convergence between humans and songbirds. This comprehensive review aims at presenting the concept of music as a sociocultural manifestation within the current debate about its biocultural origin and evolutionary function, in the context of the most recent discoveries related to the cross-species genetics of musical production and perception.https://www.mdpi.com/1422-0067/22/10/5397musicmusicalitygeneticsevolutionexpressionadaptation
spellingShingle Livia Beccacece
Paolo Abondio
Elisabetta Cilli
Donatella Restani
Donata Luiselli
Human Genomics and the Biocultural Origin of Music
International Journal of Molecular Sciences
music
musicality
genetics
evolution
expression
adaptation
title Human Genomics and the Biocultural Origin of Music
title_full Human Genomics and the Biocultural Origin of Music
title_fullStr Human Genomics and the Biocultural Origin of Music
title_full_unstemmed Human Genomics and the Biocultural Origin of Music
title_short Human Genomics and the Biocultural Origin of Music
title_sort human genomics and the biocultural origin of music
topic music
musicality
genetics
evolution
expression
adaptation
url https://www.mdpi.com/1422-0067/22/10/5397
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AT elisabettacilli humangenomicsandthebioculturaloriginofmusic
AT donatellarestani humangenomicsandthebioculturaloriginofmusic
AT donataluiselli humangenomicsandthebioculturaloriginofmusic