Lost : une « romance » shakespearienne ?

What is a Shakespearean romance? How can we see Lost through the prism of Shakespeare? And how, in turn, can we read Shakespeare through the prism of Lost? The four ‘late’ plays by Shakespeare, Pericles (1608), Cymbeline (1609), The Winter’s Tale (1610) and The Tempest (1611), have blurred the bound...

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Main Authors: Sarah Hatchuel, Randy Laist
Format: Article
Language:English
Published: Groupe de Recherche Identités et Cultures 2016-10-01
Series:TV Series
Subjects:
Online Access:http://journals.openedition.org/tvseries/1656
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author Sarah Hatchuel
Randy Laist
author_facet Sarah Hatchuel
Randy Laist
author_sort Sarah Hatchuel
collection DOAJ
description What is a Shakespearean romance? How can we see Lost through the prism of Shakespeare? And how, in turn, can we read Shakespeare through the prism of Lost? The four ‘late’ plays by Shakespeare, Pericles (1608), Cymbeline (1609), The Winter’s Tale (1610) and The Tempest (1611), have blurred the boundaries between genres by including tragic moments while ending in harmony; they have defied dramatic categories and escaped simple definitions. Geographical peregrinations, time gaps, shipwrecks, characters coming from the dead, past conflicts that haunt the present, lost children, con men, magical or supernatural interventions, dreams, incredible coincidences, narrative twists, reunions and redemptions – the themes of Lost are those of the Shakespearean romances and have raised the same reactions among spectators and critics. Lost, like Shakespeare’s romances, may actually offer some keys to respond to the challenges of an emerging historical period.
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spelling doaj.art-20f119fc62064b2b93a7e35de21a871b2022-12-21T19:12:17ZengGroupe de Recherche Identités et CulturesTV Series2266-09092016-10-0110.4000/tvseries.1656Lost : une « romance » shakespearienne ?Sarah HatchuelRandy LaistWhat is a Shakespearean romance? How can we see Lost through the prism of Shakespeare? And how, in turn, can we read Shakespeare through the prism of Lost? The four ‘late’ plays by Shakespeare, Pericles (1608), Cymbeline (1609), The Winter’s Tale (1610) and The Tempest (1611), have blurred the boundaries between genres by including tragic moments while ending in harmony; they have defied dramatic categories and escaped simple definitions. Geographical peregrinations, time gaps, shipwrecks, characters coming from the dead, past conflicts that haunt the present, lost children, con men, magical or supernatural interventions, dreams, incredible coincidences, narrative twists, reunions and redemptions – the themes of Lost are those of the Shakespearean romances and have raised the same reactions among spectators and critics. Lost, like Shakespeare’s romances, may actually offer some keys to respond to the challenges of an emerging historical period.http://journals.openedition.org/tvseries/1656LostShakespeareromancesTempest (The)CymbelinePericles
spellingShingle Sarah Hatchuel
Randy Laist
Lost : une « romance » shakespearienne ?
TV Series
Lost
Shakespeare
romances
Tempest (The)
Cymbeline
Pericles
title Lost : une « romance » shakespearienne ?
title_full Lost : une « romance » shakespearienne ?
title_fullStr Lost : une « romance » shakespearienne ?
title_full_unstemmed Lost : une « romance » shakespearienne ?
title_short Lost : une « romance » shakespearienne ?
title_sort lost une romance shakespearienne
topic Lost
Shakespeare
romances
Tempest (The)
Cymbeline
Pericles
url http://journals.openedition.org/tvseries/1656
work_keys_str_mv AT sarahhatchuel lostuneromanceshakespearienne
AT randylaist lostuneromanceshakespearienne