To Look Back Is to Suffer:
This paper is an attempt at understanding the formation of “masculinity” apropos conflicting childhood memory with reference, first, to Esthappen in Arundhati Roy’s The God of Small Things and, second, to the young men in Bangladesh. The paper is divided into three sections. The first section focus...
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| Format: | Article |
| Language: | English |
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ULAB Press
2015-12-01
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| Series: | Crossings |
| Online Access: | https://journals.ulab.edu.bd/index.php/crossings/article/view/191 |
| _version_ | 1827793463872061440 |
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| author | Abdullah Al Muktadir |
| author_facet | Abdullah Al Muktadir |
| author_sort | Abdullah Al Muktadir |
| collection | DOAJ |
| description |
This paper is an attempt at understanding the formation of “masculinity” apropos conflicting childhood memory with reference, first, to Esthappen in Arundhati Roy’s The God of Small Things and, second, to the young men in Bangladesh. The paper is divided into three sections. The first section focuses on the “unusual” present as well as the split/shared memory of Esthappen to explore how he gradually develops a marginalized self and eventually stops claiming “masculinity.” The formation and evolution of a person’s childhood memories go through a culturally predetermined gendering process. It is not rare that a person, like Estha, fails to survive the gendering of memory and is, thus, led to cling to an always-traumatic childhood to look back upon. The second section, referencing differing versions of “masculinity” and Jan Assmann’s idea of “Cultural Memory,” concentrates on the young men in Bangladesh who, like Estha, have experienced stunted development of subjectivity. Acknowledging the fact that these young men live in a different spatio-temporal and socio-cultural scenario, the section shows, based on a number of interviewbased case studies, how culturally pre-determined gendering works on the development of male subjectivity. The third section places Roy’s Estha and the young men in Bangladesh, the fiction and the fact, face to face to show how unconventional dealing with childhood memory may lead a male individual to resist or fail in conforming to the mainstream ideas of masculinity.
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| first_indexed | 2024-03-11T18:17:54Z |
| format | Article |
| id | doaj.art-21075665c3324f01a2d0058837cd4863 |
| institution | Directory Open Access Journal |
| issn | 2071-1107 2958-3179 |
| language | English |
| last_indexed | 2024-03-11T18:17:54Z |
| publishDate | 2015-12-01 |
| publisher | ULAB Press |
| record_format | Article |
| series | Crossings |
| spelling | doaj.art-21075665c3324f01a2d0058837cd48632023-10-16T04:22:21ZengULAB PressCrossings2071-11072958-31792015-12-016210.59817/cjes.v6i.191To Look Back Is to Suffer:Abdullah Al Muktadir0Lecturer in English Language and Literature Jatiya Kabi Kazi Nazrul Islam University Mymensingh This paper is an attempt at understanding the formation of “masculinity” apropos conflicting childhood memory with reference, first, to Esthappen in Arundhati Roy’s The God of Small Things and, second, to the young men in Bangladesh. The paper is divided into three sections. The first section focuses on the “unusual” present as well as the split/shared memory of Esthappen to explore how he gradually develops a marginalized self and eventually stops claiming “masculinity.” The formation and evolution of a person’s childhood memories go through a culturally predetermined gendering process. It is not rare that a person, like Estha, fails to survive the gendering of memory and is, thus, led to cling to an always-traumatic childhood to look back upon. The second section, referencing differing versions of “masculinity” and Jan Assmann’s idea of “Cultural Memory,” concentrates on the young men in Bangladesh who, like Estha, have experienced stunted development of subjectivity. Acknowledging the fact that these young men live in a different spatio-temporal and socio-cultural scenario, the section shows, based on a number of interviewbased case studies, how culturally pre-determined gendering works on the development of male subjectivity. The third section places Roy’s Estha and the young men in Bangladesh, the fiction and the fact, face to face to show how unconventional dealing with childhood memory may lead a male individual to resist or fail in conforming to the mainstream ideas of masculinity. https://journals.ulab.edu.bd/index.php/crossings/article/view/191 |
| spellingShingle | Abdullah Al Muktadir To Look Back Is to Suffer: Crossings |
| title | To Look Back Is to Suffer: |
| title_full | To Look Back Is to Suffer: |
| title_fullStr | To Look Back Is to Suffer: |
| title_full_unstemmed | To Look Back Is to Suffer: |
| title_short | To Look Back Is to Suffer: |
| title_sort | to look back is to suffer |
| url | https://journals.ulab.edu.bd/index.php/crossings/article/view/191 |
| work_keys_str_mv | AT abdullahalmuktadir tolookbackistosuffer |