Liminal Femininity: Magical Realism and the Abject in Louise Erdrich’s Tracks

The article examines the liminal nature of the two central female characters in Louise Erdrich’s novel Tracks. Despite appearing as opposites, Fleur and Pauline, members of the Chippewa tribe, are both portrayed as socially abject and victims of the inexorable social transformation brought about by...

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Main Author: Anja Mrak
Format: Article
Language:English
Published: University of Ljubljana Press (Založba Univerze v Ljubljani) 2022-12-01
Series:ELOPE
Subjects:
Online Access:https://journals.uni-lj.si/elope/article/view/10808
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author Anja Mrak
author_facet Anja Mrak
author_sort Anja Mrak
collection DOAJ
description The article examines the liminal nature of the two central female characters in Louise Erdrich’s novel Tracks. Despite appearing as opposites, Fleur and Pauline, members of the Chippewa tribe, are both portrayed as socially abject and victims of the inexorable social transformation brought about by American imperialism to establish patriarchy and capitalism. Enhanced through magical realism, their animality and monstrosity call attention to a liminal femininity trapped in a social order that seeks to subjugate it. The novel also considers female sexual agency and different modes of exerting and losing control in encounters defined by sexual objectification and the male gaze. Fleur’s and Pauline’s stories demonstrate how the female body becomes a site of colonial enterprise, which devalues, exploits, and nearly eradicates the Native American community, their culture, and philosophies.
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spelling doaj.art-21355a7fc08b4f4298bef31f848b79202023-01-18T09:32:09ZengUniversity of Ljubljana Press (Založba Univerze v Ljubljani)ELOPE1581-89182386-03162022-12-0119210.4312/elope.19.2.211-221Liminal Femininity: Magical Realism and the Abject in Louise Erdrich’s TracksAnja Mrak0University of Ljubljana The article examines the liminal nature of the two central female characters in Louise Erdrich’s novel Tracks. Despite appearing as opposites, Fleur and Pauline, members of the Chippewa tribe, are both portrayed as socially abject and victims of the inexorable social transformation brought about by American imperialism to establish patriarchy and capitalism. Enhanced through magical realism, their animality and monstrosity call attention to a liminal femininity trapped in a social order that seeks to subjugate it. The novel also considers female sexual agency and different modes of exerting and losing control in encounters defined by sexual objectification and the male gaze. Fleur’s and Pauline’s stories demonstrate how the female body becomes a site of colonial enterprise, which devalues, exploits, and nearly eradicates the Native American community, their culture, and philosophies. https://journals.uni-lj.si/elope/article/view/10808TracksLouise Erdrichanimalityfeminismmagical realism
spellingShingle Anja Mrak
Liminal Femininity: Magical Realism and the Abject in Louise Erdrich’s Tracks
ELOPE
Tracks
Louise Erdrich
animality
feminism
magical realism
title Liminal Femininity: Magical Realism and the Abject in Louise Erdrich’s Tracks
title_full Liminal Femininity: Magical Realism and the Abject in Louise Erdrich’s Tracks
title_fullStr Liminal Femininity: Magical Realism and the Abject in Louise Erdrich’s Tracks
title_full_unstemmed Liminal Femininity: Magical Realism and the Abject in Louise Erdrich’s Tracks
title_short Liminal Femininity: Magical Realism and the Abject in Louise Erdrich’s Tracks
title_sort liminal femininity magical realism and the abject in louise erdrich s tracks
topic Tracks
Louise Erdrich
animality
feminism
magical realism
url https://journals.uni-lj.si/elope/article/view/10808
work_keys_str_mv AT anjamrak liminalfemininitymagicalrealismandtheabjectinlouiseerdrichstracks