The vocal performance in laryngeal positions

The understanding of sung vocal performance is usually oriented to the study of anatomical-physiological aspects based on analysis with specific instruments and software. However, the experiential dimension of whoever produces a vocal sound and, above all, the corporeality involved in the constructi...

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Main Authors: Daniel Machuca Telléz, Joaquín Blas Pérez
Format: Article
Language:English
Published: Escola de Música da UFMG 2023-03-01
Series:Per Musi
Subjects:
Online Access:https://periodicos.ufmg.br/index.php/permusi/article/view/41468
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author Daniel Machuca Telléz
Joaquín Blas Pérez
author_facet Daniel Machuca Telléz
Joaquín Blas Pérez
author_sort Daniel Machuca Telléz
collection DOAJ
description The understanding of sung vocal performance is usually oriented to the study of anatomical-physiological aspects based on analysis with specific instruments and software. However, the experiential dimension of whoever produces a vocal sound and, above all, the corporeality involved in the construction of such a performance, are usually relegated to the background. In this work, we analyze the performative implications of the laryngeal movement in the deep and intermediate positions from the first-person experience of four developing singers. We consider that laryngeal positions have a corporeal-sonorous correlate of great impact on sung performance, which goes beyond the anatomical-physiological dimension and may be relevant in vocal development and the approach to popular music in the pedagogical field.
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spelling doaj.art-214c048aef6f411a95e35d0f1bf0c0992023-07-14T10:53:42ZengEscola de Música da UFMGPer Musi1517-75992317-63772023-03-0143202312510.35699/2317-6377.2023.4146The vocal performance in laryngeal positionsDaniel Machuca Telléz0https://orcid.org/0000-0002-3338-5969Joaquín Blas Pérez1https://orcid.org/0000-0003-3257-2081Laboratory for the Study of Musical Experience (LEEM), Faculty of Arts, National University of La Plata Laboratory for the Study of Musical Experience (LEEM), Faculty of Arts, National University of La PlataThe understanding of sung vocal performance is usually oriented to the study of anatomical-physiological aspects based on analysis with specific instruments and software. However, the experiential dimension of whoever produces a vocal sound and, above all, the corporeality involved in the construction of such a performance, are usually relegated to the background. In this work, we analyze the performative implications of the laryngeal movement in the deep and intermediate positions from the first-person experience of four developing singers. We consider that laryngeal positions have a corporeal-sonorous correlate of great impact on sung performance, which goes beyond the anatomical-physiological dimension and may be relevant in vocal development and the approach to popular music in the pedagogical field.https://periodicos.ufmg.br/index.php/permusi/article/view/41468vocal performancelaryngeal positionsingingpopular musicexperience
spellingShingle Daniel Machuca Telléz
Joaquín Blas Pérez
The vocal performance in laryngeal positions
Per Musi
vocal performance
laryngeal position
singing
popular music
experience
title The vocal performance in laryngeal positions
title_full The vocal performance in laryngeal positions
title_fullStr The vocal performance in laryngeal positions
title_full_unstemmed The vocal performance in laryngeal positions
title_short The vocal performance in laryngeal positions
title_sort vocal performance in laryngeal positions
topic vocal performance
laryngeal position
singing
popular music
experience
url https://periodicos.ufmg.br/index.php/permusi/article/view/41468
work_keys_str_mv AT danielmachucatellez thevocalperformanceinlaryngealpositions
AT joaquinblasperez thevocalperformanceinlaryngealpositions
AT danielmachucatellez vocalperformanceinlaryngealpositions
AT joaquinblasperez vocalperformanceinlaryngealpositions