Prison subculture in the context of the dialectic triad

The article contains the experience of socio-philosophical analysis of the prison subculture phenomenon. The relevance of this study is due to the transformation of the basic culture of society traditional values under the influence of the criminal subculture, the development of its new socio-cultur...

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Main Authors: S. B. Ponomarev, G. M. Tikhonov
Format: Article
Language:English
Published: Orenburg State University 2021-05-01
Series:Интеллект. Инновации. Инвестиции
Subjects:
Online Access:http://intellekt-izdanie.osu.ru/en/archive_new/2-2021/2-2021-pp.-117-126.html
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author S. B. Ponomarev
G. M. Tikhonov
author_facet S. B. Ponomarev
G. M. Tikhonov
author_sort S. B. Ponomarev
collection DOAJ
description The article contains the experience of socio-philosophical analysis of the prison subculture phenomenon. The relevance of this study is due to the transformation of the basic culture of society traditional values under the influence of the criminal subculture, the development of its new socio-cultural spaces, observed in recent decades. The aim of the work is to analyze the evolution of the prison subculture from the perspective of its interaction with the culture of society in the context of the dialectical triad «thesis-antithesis-synthesis». The definition and the main characteristic features of the prison subculture are given. The main stages of its evolution are considered in the context of interaction with the basic culture of Russian society. It is shown that the main factors influencing the metamorphosis of the prison subculture are: the high number of convicts, the presence of passionarity in the Soviet penitentiary system, the detachment system of containing convicts, the unsuccessful results of the experiment carried out in the 60s of the twentieth century to reform the penal system, negative consequences economic and social reforms of the 90s. It is noted that as a result of long-term cultural genesis, the prison subculture has the following characteristics : 1) a rigid hierarchy of the social structure of the prison community with the existence of strata of «outcasts» 2) the presence of a developed system of prison mythology, customs, symbols and taboos 3) the presence of a «control center» as the group «Thieves in law», as well as channels of information transmission 4) high adaptability of the penitentiary subculture to external conditions 5) the presence of a catchy and attractive «thieves ‘ro¬mance» and «thieves’ ideology» 6) the ability of the prison subculture to reproduce itself 7) a high degree of cohesion of prison carriers subcultures 8) the spread of the norms of the prison subculture to the majority of the population of correctional institutions. In the development of the prison subculture, the authors have identified two cycles («big» and «small»). The «big cycle» describes the global relationship between the prison subculture and the basic culture of Russian society, «small» – the interaction of collectives of convicts and staff of correctional institutions influenced by the prison subculture. In both cycles, three stages of development are distinguished, characteristic of the dialec¬tical triad. The practical significance of the work lies in comprehending the ongoing changes with the subsequent adoption of managerial decisions aimed at leveling the spread of the norms of the prison subculture in society.
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spelling doaj.art-215a0b3edd0948a48cc8696823928faf2023-04-04T10:30:52ZengOrenburg State UniversityИнтеллект. Инновации. Инвестиции2077-71752021-05-012117126https://doi.org/10.25198/2077-7175-2021-2-117Prison subculture in the context of the dialectic triadS. B. Ponomarev 0https://orcid.org/0000-0002-9936-0107G. M. Tikhonov1https://orcid.org/0000-0003-1587-9065Institute of the Federal Penitentiary Service of RussiaIzhevsk State Technical University named after M. T. KalashnikovThe article contains the experience of socio-philosophical analysis of the prison subculture phenomenon. The relevance of this study is due to the transformation of the basic culture of society traditional values under the influence of the criminal subculture, the development of its new socio-cultural spaces, observed in recent decades. The aim of the work is to analyze the evolution of the prison subculture from the perspective of its interaction with the culture of society in the context of the dialectical triad «thesis-antithesis-synthesis». The definition and the main characteristic features of the prison subculture are given. The main stages of its evolution are considered in the context of interaction with the basic culture of Russian society. It is shown that the main factors influencing the metamorphosis of the prison subculture are: the high number of convicts, the presence of passionarity in the Soviet penitentiary system, the detachment system of containing convicts, the unsuccessful results of the experiment carried out in the 60s of the twentieth century to reform the penal system, negative consequences economic and social reforms of the 90s. It is noted that as a result of long-term cultural genesis, the prison subculture has the following characteristics : 1) a rigid hierarchy of the social structure of the prison community with the existence of strata of «outcasts» 2) the presence of a developed system of prison mythology, customs, symbols and taboos 3) the presence of a «control center» as the group «Thieves in law», as well as channels of information transmission 4) high adaptability of the penitentiary subculture to external conditions 5) the presence of a catchy and attractive «thieves ‘ro¬mance» and «thieves’ ideology» 6) the ability of the prison subculture to reproduce itself 7) a high degree of cohesion of prison carriers subcultures 8) the spread of the norms of the prison subculture to the majority of the population of correctional institutions. In the development of the prison subculture, the authors have identified two cycles («big» and «small»). The «big cycle» describes the global relationship between the prison subculture and the basic culture of Russian society, «small» – the interaction of collectives of convicts and staff of correctional institutions influenced by the prison subculture. In both cycles, three stages of development are distinguished, characteristic of the dialec¬tical triad. The practical significance of the work lies in comprehending the ongoing changes with the subsequent adoption of managerial decisions aimed at leveling the spread of the norms of the prison subculture in society.http://intellekt-izdanie.osu.ru/en/archive_new/2-2021/2-2021-pp.-117-126.htmldialectical triadprison (penitentiary) subcultureconvictspenal systemcounterculturepenitentiary spacebasic culture of societysocio-cultural space
spellingShingle S. B. Ponomarev
G. M. Tikhonov
Prison subculture in the context of the dialectic triad
Интеллект. Инновации. Инвестиции
dialectical triad
prison (penitentiary) subculture
convicts
penal system
counterculture
penitentiary space
basic culture of society
socio-cultural space
title Prison subculture in the context of the dialectic triad
title_full Prison subculture in the context of the dialectic triad
title_fullStr Prison subculture in the context of the dialectic triad
title_full_unstemmed Prison subculture in the context of the dialectic triad
title_short Prison subculture in the context of the dialectic triad
title_sort prison subculture in the context of the dialectic triad
topic dialectical triad
prison (penitentiary) subculture
convicts
penal system
counterculture
penitentiary space
basic culture of society
socio-cultural space
url http://intellekt-izdanie.osu.ru/en/archive_new/2-2021/2-2021-pp.-117-126.html
work_keys_str_mv AT sbponomarev prisonsubcultureinthecontextofthedialectictriad
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