The Text is Silent, the Typographer Speaks. Memory and Self-Representation in Bodonian Commemorative Books

The planned but yet never published poetry collection in honor of Vittorio Amedeo III of Savoia and the much more famous print of 'Epithalamia' constitute the starting point of the study, that investigates the ways in which Giambattista Bodoni played the role of a printer. Eager to preserv...

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Main Author: Pedro M. Cátedra
Format: Article
Language:English
Published: University of Bologna 2013-09-01
Series:TECA
Subjects:
Online Access:https://teca.unibo.it/article/view/14510
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author Pedro M. Cátedra
author_facet Pedro M. Cátedra
author_sort Pedro M. Cátedra
collection DOAJ
description The planned but yet never published poetry collection in honor of Vittorio Amedeo III of Savoia and the much more famous print of 'Epithalamia' constitute the starting point of the study, that investigates the ways in which Giambattista Bodoni played the role of a printer. Eager to preserve the memory of his work with movable type and presses, Bodoni revolutionized if not the form, at least the deeper meaning of occasional books for weddings or other lavish celebrations of power. No longer devoted solely to preserve the ruling aristocracy and families at the end of the Ancien Régime, the Bodonian-celebrating texts represent real typographical manuals and monuments in which the text becomes secondary to the publisher as the true protagonist.
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spelling doaj.art-216252b5d1ac49cc840deaa64db726ab2022-12-22T01:31:21ZengUniversity of BolognaTECA2282-10072240-36042013-09-013495110.6092/issn.2240-3604/1451012836The Text is Silent, the Typographer Speaks. Memory and Self-Representation in Bodonian Commemorative BooksPedro M. Cátedra0Universidad de SalamancaThe planned but yet never published poetry collection in honor of Vittorio Amedeo III of Savoia and the much more famous print of 'Epithalamia' constitute the starting point of the study, that investigates the ways in which Giambattista Bodoni played the role of a printer. Eager to preserve the memory of his work with movable type and presses, Bodoni revolutionized if not the form, at least the deeper meaning of occasional books for weddings or other lavish celebrations of power. No longer devoted solely to preserve the ruling aristocracy and families at the end of the Ancien Régime, the Bodonian-celebrating texts represent real typographical manuals and monuments in which the text becomes secondary to the publisher as the true protagonist.https://teca.unibo.it/article/view/14510vittorio amedeo iii di savoiaepithalamiagiambattista bodoninuptialiatypographical handbook
spellingShingle Pedro M. Cátedra
The Text is Silent, the Typographer Speaks. Memory and Self-Representation in Bodonian Commemorative Books
TECA
vittorio amedeo iii di savoia
epithalamia
giambattista bodoni
nuptialia
typographical handbook
title The Text is Silent, the Typographer Speaks. Memory and Self-Representation in Bodonian Commemorative Books
title_full The Text is Silent, the Typographer Speaks. Memory and Self-Representation in Bodonian Commemorative Books
title_fullStr The Text is Silent, the Typographer Speaks. Memory and Self-Representation in Bodonian Commemorative Books
title_full_unstemmed The Text is Silent, the Typographer Speaks. Memory and Self-Representation in Bodonian Commemorative Books
title_short The Text is Silent, the Typographer Speaks. Memory and Self-Representation in Bodonian Commemorative Books
title_sort text is silent the typographer speaks memory and self representation in bodonian commemorative books
topic vittorio amedeo iii di savoia
epithalamia
giambattista bodoni
nuptialia
typographical handbook
url https://teca.unibo.it/article/view/14510
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