The Text is Silent, the Typographer Speaks. Memory and Self-Representation in Bodonian Commemorative Books
The planned but yet never published poetry collection in honor of Vittorio Amedeo III of Savoia and the much more famous print of 'Epithalamia' constitute the starting point of the study, that investigates the ways in which Giambattista Bodoni played the role of a printer. Eager to preserv...
Main Author: | Pedro M. Cátedra |
---|---|
Format: | Article |
Language: | English |
Published: |
University of Bologna
2013-09-01
|
Series: | TECA |
Subjects: | |
Online Access: | https://teca.unibo.it/article/view/14510 |
Similar Items
-
Typographic Landscape: Pragmatics of Typographic Variation
by: Valeria E. Chernyavskaya
Published: (2023-11-01) -
Ignazio Villa: un eclettico dell’800 da riscoprire attraverso alcune inedite sculture tra Palazzo Pitti e la sua Palazzina-studio a Firenze
by: Marconi, Elena, et al.
Published: (2016-07-01) -
Il Senato di Piemonte e il caso Revello (1723). Un conflitto istituzionale al vertice dello Stato sabaudo nel contesto del riformismo di Vittorio Amedeo II
by: Matteo Traverso
Published: (2021-12-01) -
A note about summary for response to typographical errors and omissions in some existing studies
by: T. Hayat, et al.
Published: (2023-06-01) -
Giambattista Bodoni’s Oratio Dominica
by: Valentino Romani
Published: (2013-12-01)