Love Flesh/Carne de Amor: Metáforas do homoerotismo em Walt Whitman e em Eugénio de Andrade
«Sex is the root of it all», afirmou Walt Whitman (1819‑1892). Embora, no quotidiano, ocultasse a sua orientação homossexual, o bardo de Brooklyn cantou os corpos eléctricos, e o afecto entre os homens, sobretudo em «Calamus», uma secção de Leaves of Grass (1855‑1892). Influenciado por Whitman na v...
Main Author: | João Mancelos |
---|---|
Format: | Article |
Language: | English |
Published: |
UA Editora
2009-01-01
|
Series: | Forma Breve |
Subjects: | |
Online Access: | https://proa.ua.pt/index.php/formabreve/article/view/6574 |
Similar Items
-
Dressing Uncivil Neighbor(hood)s. Walt Whitman's Adhesive Democracy in “Calamus” and “Drum-Taps”
by: Laura López Peña
Published: (2014-10-01) -
Walt Whitman in Fernando Pessoa de Francesca Pasciolla
by: Diego Giménez
Published: (2017-05-01) -
Hospitality in Walt Whitman's Specimen Days
by: Santiago Rodríguez Guerrero-Strachan
Published: (2018-12-01) -
பாரதி - வால்ட் விட்மன் கவிதைகளில் பெண் காட்சிப் படிமம் / Visual Image of Woman in Bharathi - Walt Whitman’s Poems
by: முனைவர் வீ. கவிதா / Dr. V. Kavitha
Published: (2022-06-01) -
Walt Whitman: Gallerist in New York
by: Tatiana D. Venediktova
Published: (2023-06-01)