El color del camaleón
The film El color del camaleón (2017) by Andrés Lübbert, which has great cinematic and content merits, can be considered as an important part of Chilean films on memory and post-memory. I focus on its contribution to Chilean memory and the reconstruction of the truth through the unveiling, in par...
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| Format: | Article |
| Language: | Catalan |
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Fondazione Università Ca’ Foscari
2017-12-01
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| Series: | Rassegna Iberistica |
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| Online Access: | http://doi.org/10.14277/2037-6588/Ri-40-108-17-10 |
| _version_ | 1797646029033570304 |
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| author | Ripa, Valentina |
| author_facet | Ripa, Valentina |
| author_sort | Ripa, Valentina |
| collection | DOAJ |
| description |
The film El color del camaleón (2017) by Andrés Lübbert, which has great cinematic and content merits, can be considered as an important part of Chilean films on memory and post-memory. I focus on its contribution to Chilean memory and the reconstruction of the truth through the unveiling, in particular, of cruel methods of forced recruitment used by the dictatorship’s secret services. They were used as a further tool to instill terror in society, and as a way of submission and control of the population.
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| first_indexed | 2024-03-11T14:55:30Z |
| format | Article |
| id | doaj.art-21ecaaa1dc8947d3a2b7b7e99cc493d3 |
| institution | Directory Open Access Journal |
| issn | 2037-6588 |
| language | Catalan |
| last_indexed | 2024-03-11T14:55:30Z |
| publishDate | 2017-12-01 |
| publisher | Fondazione Università Ca’ Foscari |
| record_format | Article |
| series | Rassegna Iberistica |
| spelling | doaj.art-21ecaaa1dc8947d3a2b7b7e99cc493d32023-10-30T08:21:12ZcatFondazione Università Ca’ FoscariRassegna Iberistica2037-65882017-12-014010810.14277/2037-6588/Ri-40-108-17-10journal_article_1289El color del camaleónRipa, Valentina0Università degli Studi di Salerno The film El color del camaleón (2017) by Andrés Lübbert, which has great cinematic and content merits, can be considered as an important part of Chilean films on memory and post-memory. I focus on its contribution to Chilean memory and the reconstruction of the truth through the unveiling, in particular, of cruel methods of forced recruitment used by the dictatorship’s secret services. They were used as a further tool to instill terror in society, and as a way of submission and control of the population. http://doi.org/10.14277/2037-6588/Ri-40-108-17-10Chilean dictatorship. Documentary cinema. Memory. Postmemory. The grey zone |
| spellingShingle | Ripa, Valentina El color del camaleón Rassegna Iberistica Chilean dictatorship. Documentary cinema. Memory. Postmemory. The grey zone |
| title | El color del camaleón |
| title_full | El color del camaleón |
| title_fullStr | El color del camaleón |
| title_full_unstemmed | El color del camaleón |
| title_short | El color del camaleón |
| title_sort | el color del camaleon |
| topic | Chilean dictatorship. Documentary cinema. Memory. Postmemory. The grey zone |
| url | http://doi.org/10.14277/2037-6588/Ri-40-108-17-10 |
| work_keys_str_mv | AT ripavalentina elcolordelcamaleon |