Semiotics of White Spaces on the Romanian Traditional Blouse, the IA
In this article we understand the Romanian traditional blouse IA as a multi-dimensional semiotic object, with a complex semiotic structure. We will examine the structure and interpretation of semiotic borders and white spaces on IA, from the perspective of Lotman’s semiotic theory of culture. The w...
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Format: | Article |
Language: | English |
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National University of Political Studies and Public Administration (SNSPA), College of Communication and Public Relations, Bucharest
2017-04-01
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Series: | Romanian Journal of Communications and Public Relations |
Subjects: | |
Online Access: | https://journalofcommunication.ro/index.php/journalofcommunication/article/view/215 |
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author | Ioana Corduneanu Nicolae Sorin Drăgan |
author_facet | Ioana Corduneanu Nicolae Sorin Drăgan |
author_sort | Ioana Corduneanu |
collection | DOAJ |
description |
In this article we understand the Romanian traditional blouse IA as a multi-dimensional semiotic object, with a complex semiotic structure. We will examine the structure and interpretation of semiotic borders and white spaces on IA, from the perspective of Lotman’s semiotic theory of culture. The white spaces found on our shirts may carry out messages equally important as those expressed by the sewn signs. Not only they define the rhythm, allowing the patterns to breathe, but sometimes they have their own story to tell. The white spaces also come to define the community you belong to, if your age allows you to wear an ornated shirt. The lack of white spaces on the shirts of other ethnic minorities living alongside us may be a hint of their fears and insecurities: they tend to fill in the entire shirt with protective talismans, to make sure they are safe. In some circumstances, as it happens with the shirts from the shores of Nistru River, the white space is a warning. Yet the most interesting subject is to consider and compare the way that these white spaces are “read” and appreciated in our days, after all women had been influenced by the fashion industry and the communication in printed and social media. We like it or not, this influenced our way to define concepts such as “aesthetic”, “elegant”, “luxurious” or “refined”.
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first_indexed | 2024-03-08T18:19:15Z |
format | Article |
id | doaj.art-21f7590de0884d72a1bb59183ce6a0bf |
institution | Directory Open Access Journal |
issn | 1454-8100 2344-5440 |
language | English |
last_indexed | 2024-03-08T18:19:15Z |
publishDate | 2017-04-01 |
publisher | National University of Political Studies and Public Administration (SNSPA), College of Communication and Public Relations, Bucharest |
record_format | Article |
series | Romanian Journal of Communications and Public Relations |
spelling | doaj.art-21f7590de0884d72a1bb59183ce6a0bf2023-12-31T01:22:55ZengNational University of Political Studies and Public Administration (SNSPA), College of Communication and Public Relations, BucharestRomanian Journal of Communications and Public Relations1454-81002344-54402017-04-0118310.21018/rjcpr.2016.3.215215Semiotics of White Spaces on the Romanian Traditional Blouse, the IAIoana Corduneanu0Nicolae Sorin Drăgan1“Ion Mincu” University of Architecture and Urbanism,National University of Political Studies and Public Administration In this article we understand the Romanian traditional blouse IA as a multi-dimensional semiotic object, with a complex semiotic structure. We will examine the structure and interpretation of semiotic borders and white spaces on IA, from the perspective of Lotman’s semiotic theory of culture. The white spaces found on our shirts may carry out messages equally important as those expressed by the sewn signs. Not only they define the rhythm, allowing the patterns to breathe, but sometimes they have their own story to tell. The white spaces also come to define the community you belong to, if your age allows you to wear an ornated shirt. The lack of white spaces on the shirts of other ethnic minorities living alongside us may be a hint of their fears and insecurities: they tend to fill in the entire shirt with protective talismans, to make sure they are safe. In some circumstances, as it happens with the shirts from the shores of Nistru River, the white space is a warning. Yet the most interesting subject is to consider and compare the way that these white spaces are “read” and appreciated in our days, after all women had been influenced by the fashion industry and the communication in printed and social media. We like it or not, this influenced our way to define concepts such as “aesthetic”, “elegant”, “luxurious” or “refined”. https://journalofcommunication.ro/index.php/journalofcommunication/article/view/215Lotman semiotic theory of cultureethnosemioticssemiotics of white spacesRomanian traditional blouse IAfashion |
spellingShingle | Ioana Corduneanu Nicolae Sorin Drăgan Semiotics of White Spaces on the Romanian Traditional Blouse, the IA Romanian Journal of Communications and Public Relations Lotman semiotic theory of culture ethnosemiotics semiotics of white spaces Romanian traditional blouse IA fashion |
title | Semiotics of White Spaces on the Romanian Traditional Blouse, the IA |
title_full | Semiotics of White Spaces on the Romanian Traditional Blouse, the IA |
title_fullStr | Semiotics of White Spaces on the Romanian Traditional Blouse, the IA |
title_full_unstemmed | Semiotics of White Spaces on the Romanian Traditional Blouse, the IA |
title_short | Semiotics of White Spaces on the Romanian Traditional Blouse, the IA |
title_sort | semiotics of white spaces on the romanian traditional blouse the ia |
topic | Lotman semiotic theory of culture ethnosemiotics semiotics of white spaces Romanian traditional blouse IA fashion |
url | https://journalofcommunication.ro/index.php/journalofcommunication/article/view/215 |
work_keys_str_mv | AT ioanacorduneanu semioticsofwhitespacesontheromaniantraditionalblousetheia AT nicolaesorindragan semioticsofwhitespacesontheromaniantraditionalblousetheia |