„MEINE LYRIK SEI IN MEINER PROSA ENTHALTEN.“ LINGUISTISCHE ÜBERLEGUNGEN ZUR LYRIK UND ZUR PROSA VON HANS BERGEL / English Title: “MY LYRIC IS CONTAINED IN MY PROSE” – ABOUT THE LANGUAGE IN THE LYRIC AND PROSE OF HANS BERGEL
Writing about the lyric of Hans Bergel is an unusual challenge for the researcher. The Transylvanian author, who emigrated to Germany, is known especially for his prose texts; his lyric falls on the second place in his writings, but this doesn’t mean, that Hans Bergel’s poems aren’t successful lyric...
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| Format: | Article |
| Language: | deu |
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University of Oradea
2023-03-01
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| Series: | Journal of Languages for Specific Purposes |
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| Online Access: | http://jlsp.steconomiceuoradea.ro/archives/010/4.pdf |
| Summary: | Writing about the lyric of Hans Bergel is an unusual challenge for the researcher. The Transylvanian author, who emigrated to Germany, is known especially for his prose texts; his lyric falls on the second place in his writings, but this doesn’t mean, that Hans Bergel’s poems aren’t successful lyrical texts. He describes in them a variety of places, in which the atmosphere and colours reflect not only the lyrical side, but also the narrative side of the author. Bergel approaches the description of a place contemplatively and reflects on its spiritual correlations. His astonishing wealth of thoughts manifests itself in an inspired stream of language to which he entrusts himself. Each of Bergelʼs literary statements has in common the musicality and richness of the language. In everything Bergel writes, one can find his entire personality, his rich experience with literature and the world. He registers the experiences, feelings and thoughts that he has recorded along his life path and he relives his experiences through language. Therefore a story cannot exist without the music of the language, a poem without philosophical and essayistic incursions. The research on the contemporary Transylvanian literature does not focus on this side of Hans Bergel, but there are a few philologists, who refer concisely to the lyric of the author. This paper with the above title would like to widen this research, by revealing new aspects of the work of Hans Bergel. The study of Transylvanian-German literature as minority literature has subject-related risks, because research focuses from the outset on a specific context and operates within a quasi-prescribed framework. One wonders, however, whether it is possible to break out of this framework with either traditional or modern means, and suggest new ways of addressing Bergelʼs work as a theme. This paper seeks to answer this question. |
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| ISSN: | 2359-9103 2359-8921 |