From Disenchantment to Enchantment of the World: Dream body and the present body

This article describes the social intervention work of 13 performance pieces by women workers and/or residents of the Historic Center, led by Lorena Wolffer and Territories of Culture for Equity, made in 2010. The objective is to show how the production of performative acts —where the body manifests...

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Main Author: María Cristina Fuentes Zurita
Format: Article
Language:Spanish
Published: Universidad Autónoma Metropolitana Unidad Iztapalapa 2016-12-01
Series:Iztapalapa
Subjects:
Online Access:https://revistaiztapalapa.izt.uam.mx/index.php/izt/article/view/28
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author María Cristina Fuentes Zurita
author_facet María Cristina Fuentes Zurita
author_sort María Cristina Fuentes Zurita
collection DOAJ
description This article describes the social intervention work of 13 performance pieces by women workers and/or residents of the Historic Center, led by Lorena Wolffer and Territories of Culture for Equity, made in 2010. The objective is to show how the production of performative acts —where the body manifests itself— creates life changes in spaces for escape and intersubjectivity in the center city. This art illustrates that small collective acts, which are part of new politics of presence, creates resistance from emotions and generates respect.
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spelling doaj.art-225a8dd41b3f4876a59188b862a06d302022-12-22T01:14:58ZspaUniversidad Autónoma Metropolitana Unidad IztapalapaIztapalapa0185-42592007-91762016-12-013882/1134828From Disenchantment to Enchantment of the World: Dream body and the present bodyMaría Cristina Fuentes Zurita0Universidad Autónoma Metropolitana, Unidad IztapalapaThis article describes the social intervention work of 13 performance pieces by women workers and/or residents of the Historic Center, led by Lorena Wolffer and Territories of Culture for Equity, made in 2010. The objective is to show how the production of performative acts —where the body manifests itself— creates life changes in spaces for escape and intersubjectivity in the center city. This art illustrates that small collective acts, which are part of new politics of presence, creates resistance from emotions and generates respect.https://revistaiztapalapa.izt.uam.mx/index.php/izt/article/view/28cuerpos, emociones, performances, modo de producción, intersubjetividad.
spellingShingle María Cristina Fuentes Zurita
From Disenchantment to Enchantment of the World: Dream body and the present body
Iztapalapa
cuerpos, emociones, performances, modo de producción, intersubjetividad.
title From Disenchantment to Enchantment of the World: Dream body and the present body
title_full From Disenchantment to Enchantment of the World: Dream body and the present body
title_fullStr From Disenchantment to Enchantment of the World: Dream body and the present body
title_full_unstemmed From Disenchantment to Enchantment of the World: Dream body and the present body
title_short From Disenchantment to Enchantment of the World: Dream body and the present body
title_sort from disenchantment to enchantment of the world dream body and the present body
topic cuerpos, emociones, performances, modo de producción, intersubjetividad.
url https://revistaiztapalapa.izt.uam.mx/index.php/izt/article/view/28
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