Iconology of Adam’s Figure in the Images with the of Subject Bowing Angles
<br />Muslim painters have used different kinds of methods to portrait prophets in different ages which not only reflects the painters’ insights but also mirrors the belief of art patrons in the time of their creation. Among the allegories about the prophets, the story of angles bowing to Adam...
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| Format: | Article |
| Language: | fas |
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Alzahra University
2018-02-01
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| Series: | Jilvah-i hunar |
| Subjects: | |
| Online Access: | https://jjhjor.alzahra.ac.ir/article_3177_115c976b85475595b3f1abcb29abbcb1.pdf |
| _version_ | 1818322268415066112 |
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| author | Faezeh Javaheri Mehdi Mohamad zadeh |
| author_facet | Faezeh Javaheri Mehdi Mohamad zadeh |
| author_sort | Faezeh Javaheri |
| collection | DOAJ |
| description | <br />Muslim painters have used different kinds of methods to portrait prophets in different ages which not only reflects the painters’ insights but also mirrors the belief of art patrons in the time of their creation. Among the allegories about the prophets, the story of angles bowing to Adam is depicted by painters in numerous manuscripts and different approaches. <br />Present paper, which has applied a descriptive – analytical method, is trying to introduce all of the remaining images with such subject in Islamic painting, while also extracting methods of representing the shape and figure of Adam and the visual elementsand signs used by painters in different ages. The studies indicate that Muslim painters not only used conventional symbols and signs that are known in Islamic painters, Such as holy aura but they also implied some other elements and signs, for representing the holy and sacred character of Adam, which are used for suggesting their objective mental concept. We can mention the divine Calipha’s throne and crown, angels’ presence with trays of light and holy fire and also the particular position of Adam in composition of the images among this element. <br />. <br /><span lang="FA" dir="RTL"> </span> <br /> <br /><span lang="FA" dir="RTL"> </span> |
| first_indexed | 2024-12-13T10:54:06Z |
| format | Article |
| id | doaj.art-226130c2bbbe47e49b119a0aa7e56ca1 |
| institution | Directory Open Access Journal |
| issn | 1607-9868 2538-256X |
| language | fas |
| last_indexed | 2024-12-13T10:54:06Z |
| publishDate | 2018-02-01 |
| publisher | Alzahra University |
| record_format | Article |
| series | Jilvah-i hunar |
| spelling | doaj.art-226130c2bbbe47e49b119a0aa7e56ca12022-12-21T23:49:40ZfasAlzahra UniversityJilvah-i hunar1607-98682538-256X2018-02-01929710610.22051/jjh.2017.7610.10343177Iconology of Adam’s Figure in the Images with the of Subject Bowing AnglesFaezeh Javaheri0Mehdi Mohamad zadeh1Ph.D. Student of Art Research, Alzahra UniversityAssistant prof. of Tabriz Islamic Art University, Tabriz<br />Muslim painters have used different kinds of methods to portrait prophets in different ages which not only reflects the painters’ insights but also mirrors the belief of art patrons in the time of their creation. Among the allegories about the prophets, the story of angles bowing to Adam is depicted by painters in numerous manuscripts and different approaches. <br />Present paper, which has applied a descriptive – analytical method, is trying to introduce all of the remaining images with such subject in Islamic painting, while also extracting methods of representing the shape and figure of Adam and the visual elementsand signs used by painters in different ages. The studies indicate that Muslim painters not only used conventional symbols and signs that are known in Islamic painters, Such as holy aura but they also implied some other elements and signs, for representing the holy and sacred character of Adam, which are used for suggesting their objective mental concept. We can mention the divine Calipha’s throne and crown, angels’ presence with trays of light and holy fire and also the particular position of Adam in composition of the images among this element. <br />. <br /><span lang="FA" dir="RTL"> </span> <br /> <br /><span lang="FA" dir="RTL"> </span>https://jjhjor.alzahra.ac.ir/article_3177_115c976b85475595b3f1abcb29abbcb1.pdfadams` figurative drawingangels bowingislamic painting |
| spellingShingle | Faezeh Javaheri Mehdi Mohamad zadeh Iconology of Adam’s Figure in the Images with the of Subject Bowing Angles Jilvah-i hunar adams` figurative drawing angels bowing islamic painting |
| title | Iconology of Adam’s Figure in the Images with the of Subject Bowing Angles |
| title_full | Iconology of Adam’s Figure in the Images with the of Subject Bowing Angles |
| title_fullStr | Iconology of Adam’s Figure in the Images with the of Subject Bowing Angles |
| title_full_unstemmed | Iconology of Adam’s Figure in the Images with the of Subject Bowing Angles |
| title_short | Iconology of Adam’s Figure in the Images with the of Subject Bowing Angles |
| title_sort | iconology of adam s figure in the images with the of subject bowing angles |
| topic | adams` figurative drawing angels bowing islamic painting |
| url | https://jjhjor.alzahra.ac.ir/article_3177_115c976b85475595b3f1abcb29abbcb1.pdf |
| work_keys_str_mv | AT faezehjavaheri iconologyofadamsfigureintheimageswiththeofsubjectbowingangles AT mehdimohamadzadeh iconologyofadamsfigureintheimageswiththeofsubjectbowingangles |