Das Dritte Reich. Die diskursive Sakralisierung in der NS-Propagandadichtung von Heinrich Anacker<br><i>[The Third Reich. Discursive Sacralization in the NS Propaganda Poetry of Heinrich Anacker]<i>

The main focus of this essay is the discursive analysis of “Reich” as an article of faith in the poetry volume Die Fanfare. Gedichte der deutschen Erhebung by Heinrich Anacker (1901-1971). Looking back to the original theological foundation of the concept “Third Reich” in connection with the debate...

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Bibliographic Details
Main Author: Anneleen Van Hertbruggen
Format: Article
Language:deu
Published: Milano University Press 2017-11-01
Series:Studia theodisca
Online Access:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/9205
Description
Summary:The main focus of this essay is the discursive analysis of “Reich” as an article of faith in the poetry volume Die Fanfare. Gedichte der deutschen Erhebung by Heinrich Anacker (1901-1971). Looking back to the original theological foundation of the concept “Third Reich” in connection with the debate about whether National Socialism could be consid­ered as a political religion, “Reich” is described as a possible article of faith of the Nazi creed. In Anacker’s National Socialist biased propaganda poetry, “Reich” appears, in fact, as a sacred and even as a quasi-religious entity.
ISSN:1593-2478
2385-2917