Mikhail Larionov’s Rayonism and the Scientific Mythologies of the Late Nineteenth and Early Twentieth Century

The article investigates the theory of non-figurative painting developed by Mikhail Larionov (Rayonism) and its connection to parascientific theories of the early twentieth century. One of the central scientific and parascientific mythologies of the time regarded the shift in the understanding of...

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Main Author: Bobrinskaya, Ekaterina
Format: Article
Language:English
Published: Fondazione Università Ca’ Foscari 2020-12-01
Series:Venezia Arti
Subjects:
Online Access:http://doi.org/10.30687/VA/2385-2720/2020/01/007
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author Bobrinskaya, Ekaterina
author_facet Bobrinskaya, Ekaterina
author_sort Bobrinskaya, Ekaterina
collection DOAJ
description The article investigates the theory of non-figurative painting developed by Mikhail Larionov (Rayonism) and its connection to parascientific theories of the early twentieth century. One of the central scientific and parascientific mythologies of the time regarded the shift in the understanding of the idea of matter. The notion of ‘radiant matter’ had a prominent place in these mythologies. The article analyses a range of frameworks, within which the idea of ‘radiant matter’ was interpreted (from a scientific research of different phenomena provoked by invisible waves to spiritualist and occultist experiments). The iconography of these waves and the theories of the dissociation of matter represent an essential input to understand how abstract art emerged in early-twentieth-century Russian painting.
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spelling doaj.art-229cc11524bc4dc7ac4a1440c79b77d62023-10-30T08:18:27ZengFondazione Università Ca’ FoscariVenezia Arti2385-27202020-12-0129110.30687/VA/2385-2720/2020/01/007journal_article_3379Mikhail Larionov’s Rayonism and the Scientific Mythologies of the Late Nineteenth and Early Twentieth CenturyBobrinskaya, Ekaterina0State Institute for Art Studies, Moscow, Russia The article investigates the theory of non-figurative painting developed by Mikhail Larionov (Rayonism) and its connection to parascientific theories of the early twentieth century. One of the central scientific and parascientific mythologies of the time regarded the shift in the understanding of the idea of matter. The notion of ‘radiant matter’ had a prominent place in these mythologies. The article analyses a range of frameworks, within which the idea of ‘radiant matter’ was interpreted (from a scientific research of different phenomena provoked by invisible waves to spiritualist and occultist experiments). The iconography of these waves and the theories of the dissociation of matter represent an essential input to understand how abstract art emerged in early-twentieth-century Russian painting. http://doi.org/10.30687/VA/2385-2720/2020/01/007Abstraction. Mikhail Larionov. Rayonism. Russian Avant-garde
spellingShingle Bobrinskaya, Ekaterina
Mikhail Larionov’s Rayonism and the Scientific Mythologies of the Late Nineteenth and Early Twentieth Century
Venezia Arti
Abstraction. Mikhail Larionov. Rayonism. Russian Avant-garde
title Mikhail Larionov’s Rayonism and the Scientific Mythologies of the Late Nineteenth and Early Twentieth Century
title_full Mikhail Larionov’s Rayonism and the Scientific Mythologies of the Late Nineteenth and Early Twentieth Century
title_fullStr Mikhail Larionov’s Rayonism and the Scientific Mythologies of the Late Nineteenth and Early Twentieth Century
title_full_unstemmed Mikhail Larionov’s Rayonism and the Scientific Mythologies of the Late Nineteenth and Early Twentieth Century
title_short Mikhail Larionov’s Rayonism and the Scientific Mythologies of the Late Nineteenth and Early Twentieth Century
title_sort mikhail larionov s rayonism and the scientific mythologies of the late nineteenth and early twentieth century
topic Abstraction. Mikhail Larionov. Rayonism. Russian Avant-garde
url http://doi.org/10.30687/VA/2385-2720/2020/01/007
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