Georg Knoff’s Collection in Gdańsk: Remarks on Collecting and Disseminating Printed Music
Georg Knoff, a patrician from Gdańsk, amassed towards the end of the sixteenth century a collection of 267 music prints, the majority of them originating from Venice. The author puts forward the hypothesis that Knoff obtained the editions by making use of direct contacts with Italy. The aim of the c...
| Main Author: | |
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| Format: | Article |
| Language: | deu |
| Published: |
ZRC SAZU, Založba ZRC
2015-10-01
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| Series: | De Musica Disserenda |
| Subjects: | |
| Online Access: | https://ojs.zrc-sazu.si/dmd/article/view/3069 |
| _version_ | 1818489560097619968 |
|---|---|
| author | Paweł Gancarczyk |
| author_facet | Paweł Gancarczyk |
| author_sort | Paweł Gancarczyk |
| collection | DOAJ |
| description | Georg Knoff, a patrician from Gdańsk, amassed towards the end of the sixteenth century a collection of 267 music prints, the majority of them originating from Venice. The author puts forward the hypothesis that Knoff obtained the editions by making use of direct contacts with Italy. The aim of the collection was not so much to provide repertory for performance as to emphasize Knoff’s social status. |
| first_indexed | 2024-12-10T17:05:32Z |
| format | Article |
| id | doaj.art-22e66a4a24f04a8f95d35cc65ba2ed9a |
| institution | Directory Open Access Journal |
| issn | 1854-3405 2536-2615 |
| language | deu |
| last_indexed | 2024-12-10T17:05:32Z |
| publishDate | 2015-10-01 |
| publisher | ZRC SAZU, Založba ZRC |
| record_format | Article |
| series | De Musica Disserenda |
| spelling | doaj.art-22e66a4a24f04a8f95d35cc65ba2ed9a2022-12-22T01:40:28ZdeuZRC SAZU, Založba ZRCDe Musica Disserenda1854-34052536-26152015-10-01111-2234010.3986/dmd11.1-2.022460Georg Knoff’s Collection in Gdańsk: Remarks on Collecting and Disseminating Printed MusicPaweł Gancarczyk0Institute of Art of the Polish Academy of SciencesGeorg Knoff, a patrician from Gdańsk, amassed towards the end of the sixteenth century a collection of 267 music prints, the majority of them originating from Venice. The author puts forward the hypothesis that Knoff obtained the editions by making use of direct contacts with Italy. The aim of the collection was not so much to provide repertory for performance as to emphasize Knoff’s social status.https://ojs.zrc-sazu.si/dmd/article/view/3069music printingcollectionssixteenth centurygdańskvenicegeorg knoff |
| spellingShingle | Paweł Gancarczyk Georg Knoff’s Collection in Gdańsk: Remarks on Collecting and Disseminating Printed Music De Musica Disserenda music printing collections sixteenth century gdańsk venice georg knoff |
| title | Georg Knoff’s Collection in Gdańsk: Remarks on Collecting and Disseminating Printed Music |
| title_full | Georg Knoff’s Collection in Gdańsk: Remarks on Collecting and Disseminating Printed Music |
| title_fullStr | Georg Knoff’s Collection in Gdańsk: Remarks on Collecting and Disseminating Printed Music |
| title_full_unstemmed | Georg Knoff’s Collection in Gdańsk: Remarks on Collecting and Disseminating Printed Music |
| title_short | Georg Knoff’s Collection in Gdańsk: Remarks on Collecting and Disseminating Printed Music |
| title_sort | georg knoff s collection in gdansk remarks on collecting and disseminating printed music |
| topic | music printing collections sixteenth century gdańsk venice georg knoff |
| url | https://ojs.zrc-sazu.si/dmd/article/view/3069 |
| work_keys_str_mv | AT pawełgancarczyk georgknoffscollectioningdanskremarksoncollectinganddisseminatingprintedmusic |