THE “POLETHICS” OF THE MEDIATED/TIZED SPECTATOR IN THE GLOBAL-TECHNOLOGIZED AGE: DAVID GREIG’S THEATRE

Contemporary Scottish playwright David Greig’s dramaturgy has been concerned with the massive changes wrought across the world by neoliberal globalization in the last two decades. A political triple turn comprising ethics, the media and the spectator, and a shift between the notion “‘mediatized’ rei...

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Main Author: Verónica Rodríguez
Format: Article
Language:Catalan
Published: Universitat de Barcelona 2012-12-01
Series:Oxímora. Revista Internacional de Ética y Política
Subjects:
Online Access:http://revistes.ub.edu/index.php/oximora/article/view/5294
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author Verónica Rodríguez
author_facet Verónica Rodríguez
author_sort Verónica Rodríguez
collection DOAJ
description Contemporary Scottish playwright David Greig’s dramaturgy has been concerned with the massive changes wrought across the world by neoliberal globalization in the last two decades. A political triple turn comprising ethics, the media and the spectator, and a shift between the notion “‘mediatized’ reiterative ‘expectator’” to “mediated performing spectator” within the “polethic” frame of ‘relationality’ in Greig’s works are argued in this article. It is further argued that the plays examined (Damascus, The American Pilot, Brewers Fayre and Fragile) use productive strategies like diffusion, reversibility and interchangeability, which foreground the asymmetries of the global/technologized age “polethically” mediating the global performing spectator.
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spelling doaj.art-22ff9a0ff7764cc9a6e8106eb0079da82022-12-22T02:20:41ZcatUniversitat de BarcelonaOxímora. Revista Internacional de Ética y Política2014-77082012-12-0101537610.1344/oxi.2012.i1.52945169THE “POLETHICS” OF THE MEDIATED/TIZED SPECTATOR IN THE GLOBAL-TECHNOLOGIZED AGE: DAVID GREIG’S THEATREVerónica Rodríguez0Universidad de Barcelona (UB)Contemporary Scottish playwright David Greig’s dramaturgy has been concerned with the massive changes wrought across the world by neoliberal globalization in the last two decades. A political triple turn comprising ethics, the media and the spectator, and a shift between the notion “‘mediatized’ reiterative ‘expectator’” to “mediated performing spectator” within the “polethic” frame of ‘relationality’ in Greig’s works are argued in this article. It is further argued that the plays examined (Damascus, The American Pilot, Brewers Fayre and Fragile) use productive strategies like diffusion, reversibility and interchangeability, which foreground the asymmetries of the global/technologized age “polethically” mediating the global performing spectator.http://revistes.ub.edu/index.php/oximora/article/view/5294GlobalizationDavid GreigMediaSpectatorEthicsPolitics
spellingShingle Verónica Rodríguez
THE “POLETHICS” OF THE MEDIATED/TIZED SPECTATOR IN THE GLOBAL-TECHNOLOGIZED AGE: DAVID GREIG’S THEATRE
Oxímora. Revista Internacional de Ética y Política
Globalization
David Greig
Media
Spectator
Ethics
Politics
title THE “POLETHICS” OF THE MEDIATED/TIZED SPECTATOR IN THE GLOBAL-TECHNOLOGIZED AGE: DAVID GREIG’S THEATRE
title_full THE “POLETHICS” OF THE MEDIATED/TIZED SPECTATOR IN THE GLOBAL-TECHNOLOGIZED AGE: DAVID GREIG’S THEATRE
title_fullStr THE “POLETHICS” OF THE MEDIATED/TIZED SPECTATOR IN THE GLOBAL-TECHNOLOGIZED AGE: DAVID GREIG’S THEATRE
title_full_unstemmed THE “POLETHICS” OF THE MEDIATED/TIZED SPECTATOR IN THE GLOBAL-TECHNOLOGIZED AGE: DAVID GREIG’S THEATRE
title_short THE “POLETHICS” OF THE MEDIATED/TIZED SPECTATOR IN THE GLOBAL-TECHNOLOGIZED AGE: DAVID GREIG’S THEATRE
title_sort polethics of the mediated tized spectator in the global technologized age david greig s theatre
topic Globalization
David Greig
Media
Spectator
Ethics
Politics
url http://revistes.ub.edu/index.php/oximora/article/view/5294
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