The Image of the World Revealed In Words: Ludwig Wittgenstein and The Iсonic Semiotics

The article discusses an alternative version of semiotics in which the process of semiosis is based not on metonymic symbolization (substitution), when one entity stands for another, but on the metaphorical (iconic) representation. The author suggests considering iconicity as a basis for relating th...

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Main Author: Zolyan S. T.
Format: Article
Language:English
Published: Immanuel Kant Baltic Federal University 2018-07-01
Series:Слово.ру: балтийский акцент
Subjects:
Online Access:https://journals.kantiana.ru/slovo/3945/10974/
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author Zolyan S. T.
author_facet Zolyan S. T.
author_sort Zolyan S. T.
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description The article discusses an alternative version of semiotics in which the process of semiosis is based not on metonymic symbolization (substitution), when one entity stands for another, but on the metaphorical (iconic) representation. The author suggests considering iconicity as a basis for relating the signifier and the signified. This relation is understood as a construed one rather than something determined by physical similarity. The basis for such a revision of iconicity can be found in Lessing's treatise “Laoсoon”, and the conception of iconicity is described in Wittgenstein's “Tractatus”. In the picture theory of language, iconicity is understood as a logical isomorphism between structures. This allows the author to expand the concept of iconicity — due to the use of verbal means, an image can denote both actual, possible and even non-existent entities. This makes it possible to consider a sign as not only a discrete and symbolic phenomenon based on an arbitrary connection between the signified and the signifier. Alternative semiotics can be based on Wittgenstein’s understanding of a sign as a picture, a holistic structure of non-discrete components and a system, which is not construed from given components. It is a system, which forms intra- and intertextual structures. In this way, it will be possible to describe texts that are signs but do not consist of signs (movies, paintings) and create signs in the process of functioning. Accordingly, one can speak about the semiotics of text, in which such phenomena will be considered as primary ones. This will be a non-discrete and/or iconic semiotics, based not on the dogma of the artibrary connection between the signified and the signifier, but on various types of isomorphism between them.
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spelling doaj.art-23065ea6ce2d4ea28b370e1e20cd38762022-12-22T00:57:02ZengImmanuel Kant Baltic Federal UniversityСлово.ру: балтийский акцент2225-53462686-89892018-07-0192213610.5922/2225-5346-2018-2-2The Image of the World Revealed In Words: Ludwig Wittgenstein and The Iсonic SemioticsZolyan S. T. 0National Academy of Sciences of ArmeniaThe article discusses an alternative version of semiotics in which the process of semiosis is based not on metonymic symbolization (substitution), when one entity stands for another, but on the metaphorical (iconic) representation. The author suggests considering iconicity as a basis for relating the signifier and the signified. This relation is understood as a construed one rather than something determined by physical similarity. The basis for such a revision of iconicity can be found in Lessing's treatise “Laoсoon”, and the conception of iconicity is described in Wittgenstein's “Tractatus”. In the picture theory of language, iconicity is understood as a logical isomorphism between structures. This allows the author to expand the concept of iconicity — due to the use of verbal means, an image can denote both actual, possible and even non-existent entities. This makes it possible to consider a sign as not only a discrete and symbolic phenomenon based on an arbitrary connection between the signified and the signifier. Alternative semiotics can be based on Wittgenstein’s understanding of a sign as a picture, a holistic structure of non-discrete components and a system, which is not construed from given components. It is a system, which forms intra- and intertextual structures. In this way, it will be possible to describe texts that are signs but do not consist of signs (movies, paintings) and create signs in the process of functioning. Accordingly, one can speak about the semiotics of text, in which such phenomena will be considered as primary ones. This will be a non-discrete and/or iconic semiotics, based not on the dogma of the artibrary connection between the signified and the signifier, but on various types of isomorphism between them.https://journals.kantiana.ru/slovo/3945/10974/signimageiconicitylessingwittgensteinpictorial theory of language
spellingShingle Zolyan S. T.
The Image of the World Revealed In Words: Ludwig Wittgenstein and The Iсonic Semiotics
Слово.ру: балтийский акцент
sign
image
iconicity
lessing
wittgenstein
pictorial theory of language
title The Image of the World Revealed In Words: Ludwig Wittgenstein and The Iсonic Semiotics
title_full The Image of the World Revealed In Words: Ludwig Wittgenstein and The Iсonic Semiotics
title_fullStr The Image of the World Revealed In Words: Ludwig Wittgenstein and The Iсonic Semiotics
title_full_unstemmed The Image of the World Revealed In Words: Ludwig Wittgenstein and The Iсonic Semiotics
title_short The Image of the World Revealed In Words: Ludwig Wittgenstein and The Iсonic Semiotics
title_sort image of the world revealed in words ludwig wittgenstein and the iсonic semiotics
topic sign
image
iconicity
lessing
wittgenstein
pictorial theory of language
url https://journals.kantiana.ru/slovo/3945/10974/
work_keys_str_mv AT zolyanst theimageoftheworldrevealedinwordsludwigwittgensteinandtheisonicsemiotics
AT zolyanst imageoftheworldrevealedinwordsludwigwittgensteinandtheisonicsemiotics