Shakespeare, Authority and Hauntology: Postdramatic Performance in Walny Theatre’s Hamlet

The aim of this article is to explore the potential of hauntological theories to explain and problematise selected aspects of authority and performance in the context of Shakespeare’s drama. Referring primarily to Derrida’s and Abraham’s concepts of the ghost and the phantom and their connection to...

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Main Author: Edyta Lorek-Jezińska
Format: Article
Language:English
Published: Lodz University Press 2018-06-01
Series:Multicultural Shakespeare
Subjects:
Online Access:https://czasopisma.uni.lodz.pl/szekspir/article/view/3680
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author Edyta Lorek-Jezińska
author_facet Edyta Lorek-Jezińska
author_sort Edyta Lorek-Jezińska
collection DOAJ
description The aim of this article is to explore the potential of hauntological theories to explain and problematise selected aspects of authority and performance in the context of Shakespeare’s drama. Referring primarily to Derrida’s and Abraham’s concepts of the ghost and the phantom and their connection to Shakespeare’s Hamlet, the article discusses hauntological perspectives on performance, both deconstructing and reaffirming authority. The paper comments on the relation between text and performance (Brook, Lehmann), memory and repetition (Carlson), disappearance and perpetual present (Phelan), as well as archive and repertoire (Taylor) in order to highlight the contradictory yet productive ways of understanding performance. The final part of the article, focusing on the significance of the ghost figure, examines experimental appropriations of Shakespeare’s play in Walny Theatre’s Hamlet (2015) in the light of postdramatic aesthetics.
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spelling doaj.art-230901af284d4bb0829f1dad14cd852a2022-12-22T00:50:16ZengLodz University PressMulticultural Shakespeare2300-76052018-06-011732213410.18778/2083-8530.17.033680Shakespeare, Authority and Hauntology: Postdramatic Performance in Walny Theatre’s HamletEdyta Lorek-Jezińska0Nicolaus Copernicus University in ToruńThe aim of this article is to explore the potential of hauntological theories to explain and problematise selected aspects of authority and performance in the context of Shakespeare’s drama. Referring primarily to Derrida’s and Abraham’s concepts of the ghost and the phantom and their connection to Shakespeare’s Hamlet, the article discusses hauntological perspectives on performance, both deconstructing and reaffirming authority. The paper comments on the relation between text and performance (Brook, Lehmann), memory and repetition (Carlson), disappearance and perpetual present (Phelan), as well as archive and repertoire (Taylor) in order to highlight the contradictory yet productive ways of understanding performance. The final part of the article, focusing on the significance of the ghost figure, examines experimental appropriations of Shakespeare’s play in Walny Theatre’s Hamlet (2015) in the light of postdramatic aesthetics.https://czasopisma.uni.lodz.pl/szekspir/article/view/3680authorityhauntologyshakespearehamletpostdramatic performancewalny theatre
spellingShingle Edyta Lorek-Jezińska
Shakespeare, Authority and Hauntology: Postdramatic Performance in Walny Theatre’s Hamlet
Multicultural Shakespeare
authority
hauntology
shakespeare
hamlet
postdramatic performance
walny theatre
title Shakespeare, Authority and Hauntology: Postdramatic Performance in Walny Theatre’s Hamlet
title_full Shakespeare, Authority and Hauntology: Postdramatic Performance in Walny Theatre’s Hamlet
title_fullStr Shakespeare, Authority and Hauntology: Postdramatic Performance in Walny Theatre’s Hamlet
title_full_unstemmed Shakespeare, Authority and Hauntology: Postdramatic Performance in Walny Theatre’s Hamlet
title_short Shakespeare, Authority and Hauntology: Postdramatic Performance in Walny Theatre’s Hamlet
title_sort shakespeare authority and hauntology postdramatic performance in walny theatre s hamlet
topic authority
hauntology
shakespeare
hamlet
postdramatic performance
walny theatre
url https://czasopisma.uni.lodz.pl/szekspir/article/view/3680
work_keys_str_mv AT edytalorekjezinska shakespeareauthorityandhauntologypostdramaticperformanceinwalnytheatreshamlet