Realtà e immaginazione nelle fotografie di Franco Grignani

What is a photograph? The work of Franco Grignani (1908-1999) seems conceived to test the limits and detect the cracks, ambiguities and overlaps in the category of “photographic” art. The role of photography in the practice of the artist is fundamental and generative. Throughout his career Grignani...

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Main Author: Irene Accorsini
Format: Article
Language:English
Published: Università di Parma 2012-01-01
Series:Ricerche di S/Confine
Subjects:
Online Access:http://www.ricerchedisconfine.info/III-1/ACCORSINI.htm
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author Irene Accorsini
author_facet Irene Accorsini
author_sort Irene Accorsini
collection DOAJ
description What is a photograph? The work of Franco Grignani (1908-1999) seems conceived to test the limits and detect the cracks, ambiguities and overlaps in the category of “photographic” art. The role of photography in the practice of the artist is fundamental and generative. Throughout his career Grignani led the research on the mechanisms of perception and communication in the life “everyday” considering the social value of art and photography as a tool in exploring the data ipso facto perceived reality. The reading of a series of works and unpublished writings reveals to us that the author “incubated” images in the darkroom in order to probe reality and override the stereotypes of a certain type of images that stifle the visual experience of modern man. Experimental photographs that stimulate natural intuition and perception so that man transforms real data into creativity. It is therefore arguable that the photographic dimension had such a strong influence in the artistic thought of Franco Grignani that without it most of his work would not exist.
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spelling doaj.art-23267faf50534b2e82248f2f4912f5352023-12-03T09:43:21ZengUniversità di ParmaRicerche di S/Confine2038-84112012-01-0131121137Realtà e immaginazione nelle fotografie di Franco GrignaniIrene AccorsiniWhat is a photograph? The work of Franco Grignani (1908-1999) seems conceived to test the limits and detect the cracks, ambiguities and overlaps in the category of “photographic” art. The role of photography in the practice of the artist is fundamental and generative. Throughout his career Grignani led the research on the mechanisms of perception and communication in the life “everyday” considering the social value of art and photography as a tool in exploring the data ipso facto perceived reality. The reading of a series of works and unpublished writings reveals to us that the author “incubated” images in the darkroom in order to probe reality and override the stereotypes of a certain type of images that stifle the visual experience of modern man. Experimental photographs that stimulate natural intuition and perception so that man transforms real data into creativity. It is therefore arguable that the photographic dimension had such a strong influence in the artistic thought of Franco Grignani that without it most of his work would not exist.http://www.ricerchedisconfine.info/III-1/ACCORSINI.htmFranco Grignani
spellingShingle Irene Accorsini
Realtà e immaginazione nelle fotografie di Franco Grignani
Ricerche di S/Confine
Franco Grignani
title Realtà e immaginazione nelle fotografie di Franco Grignani
title_full Realtà e immaginazione nelle fotografie di Franco Grignani
title_fullStr Realtà e immaginazione nelle fotografie di Franco Grignani
title_full_unstemmed Realtà e immaginazione nelle fotografie di Franco Grignani
title_short Realtà e immaginazione nelle fotografie di Franco Grignani
title_sort realta e immaginazione nelle fotografie di franco grignani
topic Franco Grignani
url http://www.ricerchedisconfine.info/III-1/ACCORSINI.htm
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