‘I see where I stand’ Detachment and Engagement in Harry Clifton’s Poetry

This essay reads Harry Clifton’s poetry as a body of work that illustrates the poet’s engagement with and detachment from the poetry of his peers. It notes Clifton’s chosen routes of travel in Africa, Asia, and Europe, his interest in Ireland and its elsewheres and his...

Full description

Bibliographic Details
Main Author: Benjamin Keatinge
Format: Article
Language:English
Published: MDPI AG 2020-02-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/9/1/20
_version_ 1817976168064745472
author Benjamin Keatinge
author_facet Benjamin Keatinge
author_sort Benjamin Keatinge
collection DOAJ
description This essay reads Harry Clifton’s poetry as a body of work that illustrates the poet’s engagement with and detachment from the poetry of his peers. It notes Clifton’s chosen routes of travel in Africa, Asia, and Europe, his interest in Ireland and its elsewheres and his endeavours to find an ideal distance to write from. It also elucidates his Irish subject matter, his involvement with journals, editors and publishers as well as his critical readings of 20th-century Irish poetry. The essay engages with important strands of current critical thinking that have sought to examine a post-nationalist Ireland with Clifton being seen as a bridge between an older and younger circle of writers. Neither hermetic nor sociable, Clifton emerges as a poet engaging with concentric circles of Irish poetry on his own terms.
first_indexed 2024-04-13T21:58:59Z
format Article
id doaj.art-2326a74c5e9e4d00885e221fcb4635b4
institution Directory Open Access Journal
issn 2076-0787
language English
last_indexed 2024-04-13T21:58:59Z
publishDate 2020-02-01
publisher MDPI AG
record_format Article
series Humanities
spelling doaj.art-2326a74c5e9e4d00885e221fcb4635b42022-12-22T02:28:09ZengMDPI AGHumanities2076-07872020-02-01912010.3390/h9010020h9010020‘I see where I stand’ Detachment and Engagement in Harry Clifton’s PoetryBenjamin Keatinge0School of English, Trinity College Dublin, Dublin 2, IrelandThis essay reads Harry Clifton’s poetry as a body of work that illustrates the poet’s engagement with and detachment from the poetry of his peers. It notes Clifton’s chosen routes of travel in Africa, Asia, and Europe, his interest in Ireland and its elsewheres and his endeavours to find an ideal distance to write from. It also elucidates his Irish subject matter, his involvement with journals, editors and publishers as well as his critical readings of 20th-century Irish poetry. The essay engages with important strands of current critical thinking that have sought to examine a post-nationalist Ireland with Clifton being seen as a bridge between an older and younger circle of writers. Neither hermetic nor sociable, Clifton emerges as a poet engaging with concentric circles of Irish poetry on his own terms.https://www.mdpi.com/2076-0787/9/1/20irelandmigrationengagementcirclestraveldetachmentpoetry
spellingShingle Benjamin Keatinge
‘I see where I stand’ Detachment and Engagement in Harry Clifton’s Poetry
Humanities
ireland
migration
engagement
circles
travel
detachment
poetry
title ‘I see where I stand’ Detachment and Engagement in Harry Clifton’s Poetry
title_full ‘I see where I stand’ Detachment and Engagement in Harry Clifton’s Poetry
title_fullStr ‘I see where I stand’ Detachment and Engagement in Harry Clifton’s Poetry
title_full_unstemmed ‘I see where I stand’ Detachment and Engagement in Harry Clifton’s Poetry
title_short ‘I see where I stand’ Detachment and Engagement in Harry Clifton’s Poetry
title_sort i see where i stand detachment and engagement in harry clifton s poetry
topic ireland
migration
engagement
circles
travel
detachment
poetry
url https://www.mdpi.com/2076-0787/9/1/20
work_keys_str_mv AT benjaminkeatinge iseewhereistanddetachmentandengagementinharrycliftonspoetry