Musical iconography by travel artists in nineteenth century Brazil
This article examines musical scenes with plucked chordophones in the works of the two most important travel artists in nineteenth century Brazil, the French painter Jean-Baptiste Debret, and the German artist Johann Moritz Rugendas. Differently from expected, their illustrations do not register any...
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Format: | Article |
Language: | English |
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Universidade Federal de Goiás
2015-06-01
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Series: | Visualidades |
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Online Access: | http://revistas.ufg.emnuvens.com.br/VISUAL/article/view/33248 |
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author | Renato Moreira Varoni de Castro |
author_facet | Renato Moreira Varoni de Castro |
author_sort | Renato Moreira Varoni de Castro |
collection | DOAJ |
description | This article examines musical scenes with plucked chordophones in the works of the two most important travel artists in nineteenth century Brazil, the French painter Jean-Baptiste Debret, and the German artist Johann Moritz Rugendas. Differently from expected, their illustrations do not register any figure eight-shaped chordophone as the traditional viola and violão. Rather, one finds unknown, oval and piriform, instruments. However, beyond classificatory organology interests, this article points out the multidimensionality of the visual mediation of musical phenomena by such artists, indicating the need for cultural, political, and social contextualization, including the artistic conventions, as a condition for a better use of those images as musical evidence of the past. |
first_indexed | 2024-04-12T14:45:00Z |
format | Article |
id | doaj.art-2357e135445f474e82eabaa3c56087b3 |
institution | Directory Open Access Journal |
issn | 1679-6748 2317-6784 |
language | English |
last_indexed | 2024-04-12T14:45:00Z |
publishDate | 2015-06-01 |
publisher | Universidade Federal de Goiás |
record_format | Article |
series | Visualidades |
spelling | doaj.art-2357e135445f474e82eabaa3c56087b32022-12-22T03:28:39ZengUniversidade Federal de GoiásVisualidades1679-67482317-67842015-06-01131103910.5216/vis.v13i1.33248 Musical iconography by travel artists in nineteenth century BrazilRenato Moreira Varoni de CastroThis article examines musical scenes with plucked chordophones in the works of the two most important travel artists in nineteenth century Brazil, the French painter Jean-Baptiste Debret, and the German artist Johann Moritz Rugendas. Differently from expected, their illustrations do not register any figure eight-shaped chordophone as the traditional viola and violão. Rather, one finds unknown, oval and piriform, instruments. However, beyond classificatory organology interests, this article points out the multidimensionality of the visual mediation of musical phenomena by such artists, indicating the need for cultural, political, and social contextualization, including the artistic conventions, as a condition for a better use of those images as musical evidence of the past.http://revistas.ufg.emnuvens.com.br/VISUAL/article/view/33248Musical iconography in BrazilDebret and RugendasBrazilian chordophones |
spellingShingle | Renato Moreira Varoni de Castro Musical iconography by travel artists in nineteenth century Brazil Visualidades Musical iconography in Brazil Debret and Rugendas Brazilian chordophones |
title | Musical iconography by travel artists in nineteenth century Brazil |
title_full | Musical iconography by travel artists in nineteenth century Brazil |
title_fullStr | Musical iconography by travel artists in nineteenth century Brazil |
title_full_unstemmed | Musical iconography by travel artists in nineteenth century Brazil |
title_short | Musical iconography by travel artists in nineteenth century Brazil |
title_sort | musical iconography by travel artists in nineteenth century brazil |
topic | Musical iconography in Brazil Debret and Rugendas Brazilian chordophones |
url | http://revistas.ufg.emnuvens.com.br/VISUAL/article/view/33248 |
work_keys_str_mv | AT renatomoreiravaronidecastro musicaliconographybytravelartistsinnineteenthcenturybrazil |