De los Grimm a Disney. Un estudio narratológico de la adaptación de Blancanieves

The works of the Disney Studios have been widely critisized from its inception. The filmography of the "Factory" has received both attacks and praise from every direction, and its creators -especially its founder- have been accused of defending diverse political principles under the camouf...

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Main Author: Tomás Sánchez Hernández
Format: Article
Language:Spanish
Published: Universitat Politècnica de València 2014-03-01
Series:Con A de Animación
Subjects:
Online Access:https://polipapers.upv.es/index.php/CAA/article/view/2166
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author Tomás Sánchez Hernández
author_facet Tomás Sánchez Hernández
author_sort Tomás Sánchez Hernández
collection DOAJ
description The works of the Disney Studios have been widely critisized from its inception. The filmography of the "Factory" has received both attacks and praise from every direction, and its creators -especially its founder- have been accused of defending diverse political principles under the camouflage of their films' naivety. In most cases, this criticism has relied on simple intuition and ideological prejudice. The aim of the present analysis is approaching the first animated feature film produced by the Disney Studios so as to characterize the process carried out by the Company's creative staff when rewriting a popular tale by The Brothers Grimm. The narratologic study of the operations taken will try to detect whether, in this case, there was a hidden agenda in Disney activity or rewriting responded to less militant goals.
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spelling doaj.art-235f7ed741ec47e0a8eb99016d8470e02022-12-22T01:30:56ZspaUniversitat Politècnica de ValènciaCon A de Animación2173-60492173-35112014-03-010411012510.4995/caa.2014.21661726De los Grimm a Disney. Un estudio narratológico de la adaptación de BlancanievesTomás Sánchez Hernández0Universidad de SalamancaThe works of the Disney Studios have been widely critisized from its inception. The filmography of the "Factory" has received both attacks and praise from every direction, and its creators -especially its founder- have been accused of defending diverse political principles under the camouflage of their films' naivety. In most cases, this criticism has relied on simple intuition and ideological prejudice. The aim of the present analysis is approaching the first animated feature film produced by the Disney Studios so as to characterize the process carried out by the Company's creative staff when rewriting a popular tale by The Brothers Grimm. The narratologic study of the operations taken will try to detect whether, in this case, there was a hidden agenda in Disney activity or rewriting responded to less militant goals.https://polipapers.upv.es/index.php/CAA/article/view/2166animaciónhistoriadisneyblancanievesnarratologíaadaptación
spellingShingle Tomás Sánchez Hernández
De los Grimm a Disney. Un estudio narratológico de la adaptación de Blancanieves
Con A de Animación
animación
historia
disney
blancanieves
narratología
adaptación
title De los Grimm a Disney. Un estudio narratológico de la adaptación de Blancanieves
title_full De los Grimm a Disney. Un estudio narratológico de la adaptación de Blancanieves
title_fullStr De los Grimm a Disney. Un estudio narratológico de la adaptación de Blancanieves
title_full_unstemmed De los Grimm a Disney. Un estudio narratológico de la adaptación de Blancanieves
title_short De los Grimm a Disney. Un estudio narratológico de la adaptación de Blancanieves
title_sort de los grimm a disney un estudio narratologico de la adaptacion de blancanieves
topic animación
historia
disney
blancanieves
narratología
adaptación
url https://polipapers.upv.es/index.php/CAA/article/view/2166
work_keys_str_mv AT tomassanchezhernandez delosgrimmadisneyunestudionarratologicodelaadaptaciondeblancanieves