An art history of means: Arendt-Benjamin
Transmissibility is an essential concept for any discourse on historiography and aesthetics. In fact, this concept traverses the contemporary impasse of art historical critical practice. Although explicitly associated with Walter Benjamin, the entirety of Hannah Arendt’s work on art and history is...
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Format: | Article |
Language: | English |
Published: |
Department of Art History, University of Birmingham
2009-12-01
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Series: | Journal of Art Historiography |
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Online Access: | http://arthistoriography.files.wordpress.com/2011/02/media_139138_en.pdf |
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author | Jae Emerling |
author_facet | Jae Emerling |
author_sort | Jae Emerling |
collection | DOAJ |
description | Transmissibility is an essential concept for any discourse on historiography and aesthetics. In fact, this concept traverses the contemporary impasse of art historical critical practice. Although explicitly associated with Walter Benjamin, the entirety of Hannah Arendt’s work on art and history is premised on transmissibility as well. It allows them to conceive a space of history from within the aesthetic, the world of artifice. This essay reads Benjamin and Arendt alongside and against one other in order to rethink art and history without resorting to eschatology or the histrionics of political theology. In creating this virtual historiography—Arendt-Benjamin—it conceives transmissibility as an aesthetic-historiographic concept that renders an openness between past and future, poiesis and aisthesis. Writing the history of art becomes the creation of a passage between what-has-been and artifice; it becomes the opening of history into life, an event of recollection. |
first_indexed | 2024-04-12T10:22:17Z |
format | Article |
id | doaj.art-2372ab559eda42b99151f5673cab374f |
institution | Directory Open Access Journal |
issn | 2042-4752 |
language | English |
last_indexed | 2024-04-12T10:22:17Z |
publishDate | 2009-12-01 |
publisher | Department of Art History, University of Birmingham |
record_format | Article |
series | Journal of Art Historiography |
spelling | doaj.art-2372ab559eda42b99151f5673cab374f2022-12-22T03:37:04ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522009-12-0111JE/1An art history of means: Arendt-BenjaminJae EmerlingTransmissibility is an essential concept for any discourse on historiography and aesthetics. In fact, this concept traverses the contemporary impasse of art historical critical practice. Although explicitly associated with Walter Benjamin, the entirety of Hannah Arendt’s work on art and history is premised on transmissibility as well. It allows them to conceive a space of history from within the aesthetic, the world of artifice. This essay reads Benjamin and Arendt alongside and against one other in order to rethink art and history without resorting to eschatology or the histrionics of political theology. In creating this virtual historiography—Arendt-Benjamin—it conceives transmissibility as an aesthetic-historiographic concept that renders an openness between past and future, poiesis and aisthesis. Writing the history of art becomes the creation of a passage between what-has-been and artifice; it becomes the opening of history into life, an event of recollection.http://arthistoriography.files.wordpress.com/2011/02/media_139138_en.pdfArendtBenjaminart history |
spellingShingle | Jae Emerling An art history of means: Arendt-Benjamin Journal of Art Historiography Arendt Benjamin art history |
title | An art history of means: Arendt-Benjamin |
title_full | An art history of means: Arendt-Benjamin |
title_fullStr | An art history of means: Arendt-Benjamin |
title_full_unstemmed | An art history of means: Arendt-Benjamin |
title_short | An art history of means: Arendt-Benjamin |
title_sort | art history of means arendt benjamin |
topic | Arendt Benjamin art history |
url | http://arthistoriography.files.wordpress.com/2011/02/media_139138_en.pdf |
work_keys_str_mv | AT jaeemerling anarthistoryofmeansarendtbenjamin AT jaeemerling arthistoryofmeansarendtbenjamin |