Uncreative Writing, Close Reading ? À propos de Vanessa Place et Kenneth Goldsmith
Conceptual poetry is one of the most significant expression of American avant-gardes, Kenneth Goldsmith and Vanessa Place being their prominent representatives. This paper aims to question three issues: the relationship, filiation or rupture, of this kind of poetry with the modernist tradition; the...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Pléiade (EA 7338)
2018-06-01
|
| Series: | Itinéraires |
| Subjects: | |
| Online Access: | http://journals.openedition.org/itineraires/3961 |
| _version_ | 1818451173384912896 |
|---|---|
| author | Michel Murat |
| author_facet | Michel Murat |
| author_sort | Michel Murat |
| collection | DOAJ |
| description | Conceptual poetry is one of the most significant expression of American avant-gardes, Kenneth Goldsmith and Vanessa Place being their prominent representatives. This paper aims to question three issues: the relationship, filiation or rupture, of this kind of poetry with the modernist tradition; the social and political meaning of the appropriation of their body of discourse; the status of “non-creative” works when confronted to other interpretations than conceptual ones, such as form analysis and “close reading.” |
| first_indexed | 2024-12-14T21:02:59Z |
| format | Article |
| id | doaj.art-23a306b124024b7086b11f5ef40073a2 |
| institution | Directory Open Access Journal |
| issn | 2427-920X |
| language | fra |
| last_indexed | 2024-12-14T21:02:59Z |
| publishDate | 2018-06-01 |
| publisher | Pléiade (EA 7338) |
| record_format | Article |
| series | Itinéraires |
| spelling | doaj.art-23a306b124024b7086b11f5ef40073a22022-12-21T22:47:32ZfraPléiade (EA 7338)Itinéraires2427-920X2018-06-012017310.4000/itineraires.3961Uncreative Writing, Close Reading ? À propos de Vanessa Place et Kenneth GoldsmithMichel MuratConceptual poetry is one of the most significant expression of American avant-gardes, Kenneth Goldsmith and Vanessa Place being their prominent representatives. This paper aims to question three issues: the relationship, filiation or rupture, of this kind of poetry with the modernist tradition; the social and political meaning of the appropriation of their body of discourse; the status of “non-creative” works when confronted to other interpretations than conceptual ones, such as form analysis and “close reading.”http://journals.openedition.org/itineraires/3961poetryconceptual poetryavant-gardesperformancemodernismCharles Reznikoff |
| spellingShingle | Michel Murat Uncreative Writing, Close Reading ? À propos de Vanessa Place et Kenneth Goldsmith Itinéraires poetry conceptual poetry avant-gardes performance modernism Charles Reznikoff |
| title | Uncreative Writing, Close Reading ? À propos de Vanessa Place et Kenneth Goldsmith |
| title_full | Uncreative Writing, Close Reading ? À propos de Vanessa Place et Kenneth Goldsmith |
| title_fullStr | Uncreative Writing, Close Reading ? À propos de Vanessa Place et Kenneth Goldsmith |
| title_full_unstemmed | Uncreative Writing, Close Reading ? À propos de Vanessa Place et Kenneth Goldsmith |
| title_short | Uncreative Writing, Close Reading ? À propos de Vanessa Place et Kenneth Goldsmith |
| title_sort | uncreative writing close reading a propos de vanessa place et kenneth goldsmith |
| topic | poetry conceptual poetry avant-gardes performance modernism Charles Reznikoff |
| url | http://journals.openedition.org/itineraires/3961 |
| work_keys_str_mv | AT michelmurat uncreativewritingclosereadingaproposdevanessaplaceetkennethgoldsmith |