Accepting the Grotesque Body: Bildungs by Clare Boylan and Eilis Ni Dhuibhne

In Clare Boylan’s fantasy novel Black Baby  (1988) and Eilis Ni Dhuibhne’s realistic novel The Dancers Dancing  (1999), female protagonists fear those who symbolize the grotesqueness of their own overweight bodies; hence, these heroines reject marginalized women, either black or retarded, and Irish...

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Main Author: Jeanette Roberts Shumaker
Format: Article
Language:English
Published: Asociación Española de Estudios Irlandeses 2006-03-01
Series:Estudios Irlandeses
Subjects:
Online Access:http://www.estudiosirlandeses.org/wp-content/uploads/2013/05/JeanetteRShumaker.pdf
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author Jeanette Roberts Shumaker
author_facet Jeanette Roberts Shumaker
author_sort Jeanette Roberts Shumaker
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description In Clare Boylan’s fantasy novel Black Baby  (1988) and Eilis Ni Dhuibhne’s realistic novel The Dancers Dancing  (1999), female protagonists fear those who symbolize the grotesqueness of their own overweight bodies; hence, these heroines reject marginalized women, either black or retarded, and Irish peasants. Through their heroines’ struggles to accept both themselves and marginalized others, Ni Dhuibhne and Boylan deconstruct the psychology of self-hatred, whether it occurs in teenage or elderly women. Bakhtin’s ideas about the grotesque body, along with Stallybrass and White’s connection of the grotesque to prejudice, and Kristeva’s theory of abjection illuminate the conflicts over self-acceptance that Boylan’s and Ni Dhuibhne’s heroines face.
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spelling doaj.art-23bd4176661240458f8542c9cfa9e88f2022-12-22T03:09:21ZengAsociación Española de Estudios IrlandesesEstudios Irlandeses1699-311X1699-311X2006-03-01111031111469Accepting the Grotesque Body: Bildungs by Clare Boylan and Eilis Ni DhuibhneJeanette Roberts Shumaker0 San Diego State University, Imperial Valley, USA In Clare Boylan’s fantasy novel Black Baby  (1988) and Eilis Ni Dhuibhne’s realistic novel The Dancers Dancing  (1999), female protagonists fear those who symbolize the grotesqueness of their own overweight bodies; hence, these heroines reject marginalized women, either black or retarded, and Irish peasants. Through their heroines’ struggles to accept both themselves and marginalized others, Ni Dhuibhne and Boylan deconstruct the psychology of self-hatred, whether it occurs in teenage or elderly women. Bakhtin’s ideas about the grotesque body, along with Stallybrass and White’s connection of the grotesque to prejudice, and Kristeva’s theory of abjection illuminate the conflicts over self-acceptance that Boylan’s and Ni Dhuibhne’s heroines face.http://www.estudiosirlandeses.org/wp-content/uploads/2013/05/JeanetteRShumaker.pdfSelf-hatredGrotesqueWomenBodyAbjectionOverweightFantasyDisabilityAfrican
spellingShingle Jeanette Roberts Shumaker
Accepting the Grotesque Body: Bildungs by Clare Boylan and Eilis Ni Dhuibhne
Estudios Irlandeses
Self-hatred
Grotesque
Women
Body
Abjection
Overweight
Fantasy
Disability
African
title Accepting the Grotesque Body: Bildungs by Clare Boylan and Eilis Ni Dhuibhne
title_full Accepting the Grotesque Body: Bildungs by Clare Boylan and Eilis Ni Dhuibhne
title_fullStr Accepting the Grotesque Body: Bildungs by Clare Boylan and Eilis Ni Dhuibhne
title_full_unstemmed Accepting the Grotesque Body: Bildungs by Clare Boylan and Eilis Ni Dhuibhne
title_short Accepting the Grotesque Body: Bildungs by Clare Boylan and Eilis Ni Dhuibhne
title_sort accepting the grotesque body bildungs by clare boylan and eilis ni dhuibhne
topic Self-hatred
Grotesque
Women
Body
Abjection
Overweight
Fantasy
Disability
African
url http://www.estudiosirlandeses.org/wp-content/uploads/2013/05/JeanetteRShumaker.pdf
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