De la convergence vers les Bâtiments du Roy à la diaspora dans le royaume. Une étude de cas sur la circulation des artistes italiens entre la fin du xvie et le début du xviie siècle
In order to deepen the knowledge of artist networks and cultural transfers that linked France and Italy from the late 16th to the early 17th century, this article proposes a case study that does not emphasize on a major character, but on lesser-known figures. The author analyses the activities and t...
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| Format: | Article |
| Language: | English |
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Presses Universitaires du Midi
2018-12-01
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| Series: | Diasporas: Circulations, Migrations, Histoire |
| Subjects: | |
| Online Access: | https://journals.openedition.org/diasporas/2185 |
| _version_ | 1797314298679132160 |
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| author | Giulia Cicali |
| author_facet | Giulia Cicali |
| author_sort | Giulia Cicali |
| collection | DOAJ |
| description | In order to deepen the knowledge of artist networks and cultural transfers that linked France and Italy from the late 16th to the early 17th century, this article proposes a case study that does not emphasize on a major character, but on lesser-known figures. The author analyses the activities and the career of four artists of Italian origin: the sculptor Francesco Bordoni (1574-1654), the engineers Tommaso (1570-1651) and Alessandro Francini (1574-1648), and the fontainier Horace Ferray (before 1585-after 1649), which first converge on the site of Saint-Germain-en-Laye, at the time of Henri IV, before moving then throughout the kingdom. The article presents the historical reasons, which push these men to leave Italy for Saint-Germain-en-Laye and the characteristics of their journeys. Then it focuses on the links that are established between them on the royal shipyard, and their insertion into the teams of the artists of the sovereign of France and Navarre. Finally, the dispersion of these artists of the king in the kingdom, and their business in Italy. |
| first_indexed | 2024-03-08T02:45:05Z |
| format | Article |
| id | doaj.art-23d53da20ab947dea9bde806addf0732 |
| institution | Directory Open Access Journal |
| issn | 1637-5823 2431-1472 |
| language | English |
| last_indexed | 2024-03-08T02:45:05Z |
| publishDate | 2018-12-01 |
| publisher | Presses Universitaires du Midi |
| record_format | Article |
| series | Diasporas: Circulations, Migrations, Histoire |
| spelling | doaj.art-23d53da20ab947dea9bde806addf07322024-02-13T13:35:46ZengPresses Universitaires du MidiDiasporas: Circulations, Migrations, Histoire1637-58232431-14722018-12-0132536910.4000/diasporas.2185De la convergence vers les Bâtiments du Roy à la diaspora dans le royaume. Une étude de cas sur la circulation des artistes italiens entre la fin du xvie et le début du xviie siècleGiulia CicaliIn order to deepen the knowledge of artist networks and cultural transfers that linked France and Italy from the late 16th to the early 17th century, this article proposes a case study that does not emphasize on a major character, but on lesser-known figures. The author analyses the activities and the career of four artists of Italian origin: the sculptor Francesco Bordoni (1574-1654), the engineers Tommaso (1570-1651) and Alessandro Francini (1574-1648), and the fontainier Horace Ferray (before 1585-after 1649), which first converge on the site of Saint-Germain-en-Laye, at the time of Henri IV, before moving then throughout the kingdom. The article presents the historical reasons, which push these men to leave Italy for Saint-Germain-en-Laye and the characteristics of their journeys. Then it focuses on the links that are established between them on the royal shipyard, and their insertion into the teams of the artists of the sovereign of France and Navarre. Finally, the dispersion of these artists of the king in the kingdom, and their business in Italy.https://journals.openedition.org/diasporas/2185networkscultural transfersBordoniFrancinisculptorsSaint-Germain-en-Laye |
| spellingShingle | Giulia Cicali De la convergence vers les Bâtiments du Roy à la diaspora dans le royaume. Une étude de cas sur la circulation des artistes italiens entre la fin du xvie et le début du xviie siècle Diasporas: Circulations, Migrations, Histoire networks cultural transfers Bordoni Francini sculptors Saint-Germain-en-Laye |
| title | De la convergence vers les Bâtiments du Roy à la diaspora dans le royaume. Une étude de cas sur la circulation des artistes italiens entre la fin du xvie et le début du xviie siècle |
| title_full | De la convergence vers les Bâtiments du Roy à la diaspora dans le royaume. Une étude de cas sur la circulation des artistes italiens entre la fin du xvie et le début du xviie siècle |
| title_fullStr | De la convergence vers les Bâtiments du Roy à la diaspora dans le royaume. Une étude de cas sur la circulation des artistes italiens entre la fin du xvie et le début du xviie siècle |
| title_full_unstemmed | De la convergence vers les Bâtiments du Roy à la diaspora dans le royaume. Une étude de cas sur la circulation des artistes italiens entre la fin du xvie et le début du xviie siècle |
| title_short | De la convergence vers les Bâtiments du Roy à la diaspora dans le royaume. Une étude de cas sur la circulation des artistes italiens entre la fin du xvie et le début du xviie siècle |
| title_sort | de la convergence vers les batiments du roy a la diaspora dans le royaume une etude de cas sur la circulation des artistes italiens entre la fin du xvie et le debut du xviie siecle |
| topic | networks cultural transfers Bordoni Francini sculptors Saint-Germain-en-Laye |
| url | https://journals.openedition.org/diasporas/2185 |
| work_keys_str_mv | AT giuliacicali delaconvergenceverslesbatimentsduroyaladiasporadansleroyaumeuneetudedecassurlacirculationdesartistesitaliensentrelafinduxvieetledebutduxviiesiecle |