Xenolinguas, masmédulas y las exofonías del monstruo
The article compares the linguistic experiments of Xul Solar in San Signos (2012) and Oliverio Girondo in En la masmédula (1954). Both writings are analyzed based on the modernist context and its conflicts with the Argentine immigration process. This perspective reveals affinities (the visuality of...
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| Format: | Article |
| Language: | Spanish |
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Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
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| Series: | Cuadernos LIRICO |
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| Online Access: | https://journals.openedition.org/lirico/9633 |
| Summary: | The article compares the linguistic experiments of Xul Solar in San Signos (2012) and Oliverio Girondo in En la masmédula (1954). Both writings are analyzed based on the modernist context and its conflicts with the Argentine immigration process. This perspective reveals affinities (the visuality of the common experience of the travel) and asymmetries, especially those related to listening to the alterity sound or exophony (Rivera Garza 2013). The article proposes to understand the acoustic predisposition of Xul Solar as the ideal critical framework for the reception of the poetics of En la masmédula. |
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| ISSN: | 2262-8339 |