Living in ‘The Dish With One Spoon’: Transdescendence and Convivance in Daniel Coleman’s Yardwork: A Biography of an Urban Place

<div class="page" title="Page 2"><div class="layoutArea"><div class="column"><p><span>The subtitle of Daniel Coleman’s third book of non-fiction acknowledges in place the existence of a form of life and agency that the essay explo...

Full description

Bibliographic Details
Main Author: Claire Omhovère
Format: Article
Language:English
Published: Ediciones Universidad de Salamanca 2020-12-01
Series:Canada and Beyond
Subjects:
Online Access:http://www.uhu.es/publicaciones/ojs/index.php/CanadaBeyond/article/view/4847
_version_ 1797990976408518656
author Claire Omhovère
author_facet Claire Omhovère
author_sort Claire Omhovère
collection DOAJ
description <div class="page" title="Page 2"><div class="layoutArea"><div class="column"><p><span>The subtitle of Daniel Coleman’s third book of non-fiction acknowledges in place the existence of a form of life and agency that the essay explores in exquisite detail. The living under scrutiny begins in the yard at the back of the Colemans’ house in Hamilton, the industrial city on the western tip of Lake Ontario where the Canadian critic and writer has made his home. The plasticity of the essay, a prospective, tentative form by definition, means that it is a most suited genre to try out new propositions regarding the practice of place in a vast area that used to be known as a “Dish With One Spoon” by the Indigenous populations who had agreed to preserve it as a neutral ground for their common use before the onset of colonisation. With the influx of European settlers, and the treaties that caused the morcelization of the region between the lakes, the area underwent profound transformations culminating with the industrial boom that boosted the development of the city of Hamilton in the twentieth century while causing great damage to its environment. The area is presently showing signs of ecological resilience that may lead to a renaissance with the waning of the industrial age. Although the timeline matters, Coleman is not writing a history of Hamilton. His approach is more geographical in spirit, looking at the languages, discourses and practices that have transformed a physical location into a place, i.e. portion of space imbued with signification for its human inhabitants, but also a milieu shared by myriad life-forms. This article will analyse the decentering </span><span>Yardwork </span><span>operates from the ego-centered genre of the biography to a form of writing which is eco-centered, by which I mean that it is rooted in an ontology where convivance serves as challenging model to help us rethink the borders that cut across life-giving places.</span></p></div></div></div>
first_indexed 2024-04-11T08:45:04Z
format Article
id doaj.art-2494b60a04ad400fa755d56e6f9d4efb
institution Directory Open Access Journal
issn 2254-1179
language English
last_indexed 2024-04-11T08:45:04Z
publishDate 2020-12-01
publisher Ediciones Universidad de Salamanca
record_format Article
series Canada and Beyond
spelling doaj.art-2494b60a04ad400fa755d56e6f9d4efb2022-12-22T04:33:59ZengEdiciones Universidad de SalamancaCanada and Beyond2254-11792020-12-019110.33776/candb.v9i0.48474106Living in ‘The Dish With One Spoon’: Transdescendence and Convivance in Daniel Coleman’s Yardwork: A Biography of an Urban PlaceClaire Omhovère0Université Paul-Valéry Montpellier 3<div class="page" title="Page 2"><div class="layoutArea"><div class="column"><p><span>The subtitle of Daniel Coleman’s third book of non-fiction acknowledges in place the existence of a form of life and agency that the essay explores in exquisite detail. The living under scrutiny begins in the yard at the back of the Colemans’ house in Hamilton, the industrial city on the western tip of Lake Ontario where the Canadian critic and writer has made his home. The plasticity of the essay, a prospective, tentative form by definition, means that it is a most suited genre to try out new propositions regarding the practice of place in a vast area that used to be known as a “Dish With One Spoon” by the Indigenous populations who had agreed to preserve it as a neutral ground for their common use before the onset of colonisation. With the influx of European settlers, and the treaties that caused the morcelization of the region between the lakes, the area underwent profound transformations culminating with the industrial boom that boosted the development of the city of Hamilton in the twentieth century while causing great damage to its environment. The area is presently showing signs of ecological resilience that may lead to a renaissance with the waning of the industrial age. Although the timeline matters, Coleman is not writing a history of Hamilton. His approach is more geographical in spirit, looking at the languages, discourses and practices that have transformed a physical location into a place, i.e. portion of space imbued with signification for its human inhabitants, but also a milieu shared by myriad life-forms. This article will analyse the decentering </span><span>Yardwork </span><span>operates from the ego-centered genre of the biography to a form of writing which is eco-centered, by which I mean that it is rooted in an ontology where convivance serves as challenging model to help us rethink the borders that cut across life-giving places.</span></p></div></div></div>http://www.uhu.es/publicaciones/ojs/index.php/CanadaBeyond/article/view/4847canadian literatureecocriticismhistory of settlementlife writing
spellingShingle Claire Omhovère
Living in ‘The Dish With One Spoon’: Transdescendence and Convivance in Daniel Coleman’s Yardwork: A Biography of an Urban Place
Canada and Beyond
canadian literature
ecocriticism
history of settlement
life writing
title Living in ‘The Dish With One Spoon’: Transdescendence and Convivance in Daniel Coleman’s Yardwork: A Biography of an Urban Place
title_full Living in ‘The Dish With One Spoon’: Transdescendence and Convivance in Daniel Coleman’s Yardwork: A Biography of an Urban Place
title_fullStr Living in ‘The Dish With One Spoon’: Transdescendence and Convivance in Daniel Coleman’s Yardwork: A Biography of an Urban Place
title_full_unstemmed Living in ‘The Dish With One Spoon’: Transdescendence and Convivance in Daniel Coleman’s Yardwork: A Biography of an Urban Place
title_short Living in ‘The Dish With One Spoon’: Transdescendence and Convivance in Daniel Coleman’s Yardwork: A Biography of an Urban Place
title_sort living in the dish with one spoon transdescendence and convivance in daniel coleman s yardwork a biography of an urban place
topic canadian literature
ecocriticism
history of settlement
life writing
url http://www.uhu.es/publicaciones/ojs/index.php/CanadaBeyond/article/view/4847
work_keys_str_mv AT claireomhovere livinginthedishwithonespoontransdescendenceandconvivanceindanielcolemansyardworkabiographyofanurbanplace