The Institutionalization of the Choral Movement in Nineteenth-Century Hungary
Male choirs established in a number of European countries following the German model transcended the framework of simple, self-organized singing in a relatively short period of time and grew into serious musical institutions. In the middle of the nineteenth century, the choral movement began to deve...
Main Author: | Rudolf Gusztin |
---|---|
Format: | Article |
Language: | English |
Published: |
Österreichische Gesellschaft für Musikwissenschaft
2021-04-01
|
Series: | Musicologica Austriaca |
Subjects: | |
Online Access: | http://www.musau.org/parts/neue-article-page/view/105 |
Similar Items
-
The Question of National Identity in the Multiethnical Sopron Through the Work of the Dalfüzér/Liederkranz (1847-1867)
by: Rudolf Gusztin
Published: (2023-07-01) -
ANTECEDENTS, AND DEVELOPMENT OF THE SACRED CHORAL CONCERTO IN RUSSIA
by: Mónika VÉGH
Published: (2020-12-01) -
Liminality, Postmodernity and Passion: Towards a Theoretical Framework for the study of 21st Century Choral Passion Settings
by: Jennifer Kerr Budziak
Published: (2017-12-01) -
Lajos Fülep: The task of Hungarian art history (1951)’ [Lajos Fülep, ‘A magyar művészettörténelem föladata (1951),’ in Ernő Marosi ed., A magyar művészettörténet-írás programjai [Programmes of Hungarian art history writing], Budapest: Corvina, 1999, 283–305, edited by Árpád Tímár]
by: Nóra Veszprémi
Published: (2014-12-01) -
Embodied Complexity in Choral Singing
by: Daniel Galbreath
Published: (2020-10-01)