El estatuto de la afectividad en la música en potencia de Tomás Lefever

The article deals with the potential music coined by Tomás Lefever, composer, essayist, and poet, whose work has crossed the logical resources of the music aerially, transplanting its hegemony in a dynamism of the sensitive. We will revise, in what follows, a problematic index of philosophical origi...

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Main Author: Graciela Muñoz Farida
Format: Article
Language:English
Published: Pontificia Universidad Católica de Chile 2021-11-01
Series:Resonancias
Subjects:
Online Access:https://resonancias.uc.cl/n-49/el-estatuto-de-la-afectividad-en-la-musica-en-potencia-de-tomas-lefever/
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author Graciela Muñoz Farida
author_facet Graciela Muñoz Farida
author_sort Graciela Muñoz Farida
collection DOAJ
description The article deals with the potential music coined by Tomás Lefever, composer, essayist, and poet, whose work has crossed the logical resources of the music aerially, transplanting its hegemony in a dynamism of the sensitive. We will revise, in what follows, a problematic index of philosophical origin that promotes in Lefever a kind of thought of antagonistic or contradictory matrix. We will also show that his musical invention raises affectivity as one of its essential parts, questions the logical determinations that circumscribe the score, and violates its teleological trajectory. For the sake of an approach to Tomás Lefever's almost unpublished thought, we will approach power and spontaneity as elements that express two characters of affectivity. Finally, we will see that Lefever's invention finds in the latter both a fundamental principle of musical invention and support for vital elaborations and drifts.
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spelling doaj.art-24d2ea7ef77e406683fe277af910d94c2023-10-20T18:56:12ZengPontificia Universidad Católica de ChileResonancias0717-34740719-57022021-11-01254910913310.7764/res.2021.49.6El estatuto de la afectividad en la música en potencia de Tomás LefeverGraciela Muñoz Farida0Pontificia Universidad Católica de ValparaísoThe article deals with the potential music coined by Tomás Lefever, composer, essayist, and poet, whose work has crossed the logical resources of the music aerially, transplanting its hegemony in a dynamism of the sensitive. We will revise, in what follows, a problematic index of philosophical origin that promotes in Lefever a kind of thought of antagonistic or contradictory matrix. We will also show that his musical invention raises affectivity as one of its essential parts, questions the logical determinations that circumscribe the score, and violates its teleological trajectory. For the sake of an approach to Tomás Lefever's almost unpublished thought, we will approach power and spontaneity as elements that express two characters of affectivity. Finally, we will see that Lefever's invention finds in the latter both a fundamental principle of musical invention and support for vital elaborations and drifts.https://resonancias.uc.cl/n-49/el-estatuto-de-la-afectividad-en-la-musica-en-potencia-de-tomas-lefever/affectivitypotentialspontaneityscoreimprovisation
spellingShingle Graciela Muñoz Farida
El estatuto de la afectividad en la música en potencia de Tomás Lefever
Resonancias
affectivity
potential
spontaneity
score
improvisation
title El estatuto de la afectividad en la música en potencia de Tomás Lefever
title_full El estatuto de la afectividad en la música en potencia de Tomás Lefever
title_fullStr El estatuto de la afectividad en la música en potencia de Tomás Lefever
title_full_unstemmed El estatuto de la afectividad en la música en potencia de Tomás Lefever
title_short El estatuto de la afectividad en la música en potencia de Tomás Lefever
title_sort el estatuto de la afectividad en la musica en potencia de tomas lefever
topic affectivity
potential
spontaneity
score
improvisation
url https://resonancias.uc.cl/n-49/el-estatuto-de-la-afectividad-en-la-musica-en-potencia-de-tomas-lefever/
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