Shaping Darkness in hyakki yagyō emaki

In Japanese culture, the yōkai, the numinous creatures inhabiting the other world and, sometimes, the boundary between our world and the other, are obvious manifestations of the feeling of fear, “translated” into text and image. Among the numerous emaki in which the yōkai appear, there is a specifi...

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Main Author: Raluca NICOLAE
Format: Article
Language:English
Published: University of Ljubljana Press (Založba Univerze v Ljubljani) 2015-07-01
Series:Asian Studies
Subjects:
Online Access:https://journals.uni-lj.si/as/article/view/3198
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author Raluca NICOLAE
author_facet Raluca NICOLAE
author_sort Raluca NICOLAE
collection DOAJ
description In Japanese culture, the yōkai, the numinous creatures inhabiting the other world and, sometimes, the boundary between our world and the other, are obvious manifestations of the feeling of fear, “translated” into text and image. Among the numerous emaki in which the yōkai appear, there is a specific type, called hyakki yagyō (the night parade of one hundred demons), where all sorts and sizes of monsters flock together to enjoy themselves at night, but, in the end, are scattered away by the first beams of light or by the mysterious darani no hi, the fire produced by a powerful magical invocation, used in the Buddhist sect Shingon. The nexus of this emakimono is their great number, hyakki, (one hundred demons being a generic term which encompasses a large variety of yōkai and oni) as well as the night––the very time when darkness becomes flesh and blood and starts marching on the streets.
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spelling doaj.art-24d66043e259435288f8feb8581ea0fe2023-01-18T09:01:51ZengUniversity of Ljubljana Press (Založba Univerze v Ljubljani)Asian Studies2232-51312350-42262015-07-013110.4312/as.2015.3.1.9-27Shaping Darkness in hyakki yagyō emakiRaluca NICOLAE0Bucharest University of Economic Studies In Japanese culture, the yōkai, the numinous creatures inhabiting the other world and, sometimes, the boundary between our world and the other, are obvious manifestations of the feeling of fear, “translated” into text and image. Among the numerous emaki in which the yōkai appear, there is a specific type, called hyakki yagyō (the night parade of one hundred demons), where all sorts and sizes of monsters flock together to enjoy themselves at night, but, in the end, are scattered away by the first beams of light or by the mysterious darani no hi, the fire produced by a powerful magical invocation, used in the Buddhist sect Shingon. The nexus of this emakimono is their great number, hyakki, (one hundred demons being a generic term which encompasses a large variety of yōkai and oni) as well as the night––the very time when darkness becomes flesh and blood and starts marching on the streets. https://journals.uni-lj.si/as/article/view/3198yōkainightparadepainted scrollsfear
spellingShingle Raluca NICOLAE
Shaping Darkness in hyakki yagyō emaki
Asian Studies
yōkai
night
parade
painted scrolls
fear
title Shaping Darkness in hyakki yagyō emaki
title_full Shaping Darkness in hyakki yagyō emaki
title_fullStr Shaping Darkness in hyakki yagyō emaki
title_full_unstemmed Shaping Darkness in hyakki yagyō emaki
title_short Shaping Darkness in hyakki yagyō emaki
title_sort shaping darkness in hyakki yagyo emaki
topic yōkai
night
parade
painted scrolls
fear
url https://journals.uni-lj.si/as/article/view/3198
work_keys_str_mv AT ralucanicolae shapingdarknessinhyakkiyagyoemaki