Lost in scales: Balkan folk music research and the ottoman legacy

Balkan folk music researchers have articulated various views on what they have considered Oriental or Turkish musical legacy. The discourses the article analyses are nationalism, Orientalism, Occidentalism and Balkanism. Scholars have handled the awkward Ottoman issue in several manners: They have r...

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Main Author: Pennanen Risto Pekka
Format: Article
Language:English
Published: Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts 2008-01-01
Series:Muzikologija
Subjects:
Online Access:http://www.doiserbia.nb.rs/img/doi/1450-9814/2008/1450-98140808127P.pdf
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author Pennanen Risto Pekka
author_facet Pennanen Risto Pekka
author_sort Pennanen Risto Pekka
collection DOAJ
description Balkan folk music researchers have articulated various views on what they have considered Oriental or Turkish musical legacy. The discourses the article analyses are nationalism, Orientalism, Occidentalism and Balkanism. Scholars have handled the awkward Ottoman issue in several manners: They have represented 'Oriental' musical characteristics as domestic, claimed that Ottoman Turks merely imitated Arab and Persian culture, and viewed Indian classical raga scales as sources for Oriental scales in the Balkans. In addition, some scholars have viewed the 'Oriental' characteristics as stemming from ancient Greece. The treatment of the Segâh family of Ottoman makams in theories and analyses reveals several features of folk music research in the Balkans, the most important of which are the use of Western concepts and the exclusive dependence on printed sources. The strategies for handling the Orient within have meandered between Occidentalism and Orientalism, creating an ambiguity which is called Balkanism.
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spelling doaj.art-24e26a987c9f4b2f99ae20b3105c24722022-12-22T03:27:38ZengSerbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and ArtsMuzikologija1450-98142008-01-012008812714710.2298/MUZ0808127PLost in scales: Balkan folk music research and the ottoman legacyPennanen Risto PekkaBalkan folk music researchers have articulated various views on what they have considered Oriental or Turkish musical legacy. The discourses the article analyses are nationalism, Orientalism, Occidentalism and Balkanism. Scholars have handled the awkward Ottoman issue in several manners: They have represented 'Oriental' musical characteristics as domestic, claimed that Ottoman Turks merely imitated Arab and Persian culture, and viewed Indian classical raga scales as sources for Oriental scales in the Balkans. In addition, some scholars have viewed the 'Oriental' characteristics as stemming from ancient Greece. The treatment of the Segâh family of Ottoman makams in theories and analyses reveals several features of folk music research in the Balkans, the most important of which are the use of Western concepts and the exclusive dependence on printed sources. The strategies for handling the Orient within have meandered between Occidentalism and Orientalism, creating an ambiguity which is called Balkanism.http://www.doiserbia.nb.rs/img/doi/1450-9814/2008/1450-98140808127P.pdfBalkansthe Orientfolk music researchscales
spellingShingle Pennanen Risto Pekka
Lost in scales: Balkan folk music research and the ottoman legacy
Muzikologija
Balkans
the Orient
folk music research
scales
title Lost in scales: Balkan folk music research and the ottoman legacy
title_full Lost in scales: Balkan folk music research and the ottoman legacy
title_fullStr Lost in scales: Balkan folk music research and the ottoman legacy
title_full_unstemmed Lost in scales: Balkan folk music research and the ottoman legacy
title_short Lost in scales: Balkan folk music research and the ottoman legacy
title_sort lost in scales balkan folk music research and the ottoman legacy
topic Balkans
the Orient
folk music research
scales
url http://www.doiserbia.nb.rs/img/doi/1450-9814/2008/1450-98140808127P.pdf
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