Non-linearity and/in Translation: On Complex Strategies in the Ukrainian Rendition of Joyce’s Novel-Hypertext “Ulysses”
[full article and abstract in English] By positing that translation is the main manifestation of “interliterarity” (in D. Ďurišin’s conceptualization) that brings to the fore the meta-creational capacities of the target literature, the present article attempts (1) to study a translatability poten...
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| Format: | Article |
| Language: | English |
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Vilnius University
2019-04-01
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| Series: | Respectus Philologicus |
| Subjects: | |
| Online Access: | http://www.zurnalai.vu.lt/respectus-philologicus/article/view/12726 |
| _version_ | 1818216434311888896 |
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| author | Mariia Bondarenko |
| author_facet | Mariia Bondarenko |
| author_sort | Mariia Bondarenko |
| collection | DOAJ |
| description | [full article and abstract in English]
By positing that translation is the main manifestation of “interliterarity” (in D. Ďurišin’s conceptualization) that brings to the fore the meta-creational capacities of the target literature, the present article attempts (1) to study a translatability potential of a hypertext as based on the Ukrainian translation of James Joyce’s novel-hypertext Ulysses, and (2) to justify the role of its reception in the Ukrainian literary field as a force for language and culture development. The synthesis of a “verbal music” with a mosaic of texts and narratives – imitated, playfully transformed or directly quoted – is claimed to be a key source of hypertextuality in Ulysses. In this line of reasoning, the paper particularly focuses on (1) the role of both overcoming cultural barriers and leaving a space for reader’s co-creativity while transferring of intertexts; (2) the approaches to interpretation of parody and pastiche as forms of writing-as-translation practice; (3) J. Wawrzycka’s concept regarding translation of musicalized fiction as trans-semantification, i. e. attending to literariness of the text; (4) the idea of translator’s visibility attributed to the Ukrainian re-languaging of musicalized fiction. |
| first_indexed | 2024-12-12T06:51:55Z |
| format | Article |
| id | doaj.art-2513193b03884928a9516e57c50b72c3 |
| institution | Directory Open Access Journal |
| issn | 1392-8295 2335-2388 |
| language | English |
| last_indexed | 2024-12-12T06:51:55Z |
| publishDate | 2019-04-01 |
| publisher | Vilnius University |
| record_format | Article |
| series | Respectus Philologicus |
| spelling | doaj.art-2513193b03884928a9516e57c50b72c32022-12-22T00:34:02ZengVilnius UniversityRespectus Philologicus1392-82952335-23882019-04-01354010.15388/RESPECTUS.2019.35.40.14Non-linearity and/in Translation: On Complex Strategies in the Ukrainian Rendition of Joyce’s Novel-Hypertext “Ulysses”Mariia Bondarenko0Ivan Franko National University of Lviv[full article and abstract in English] By positing that translation is the main manifestation of “interliterarity” (in D. Ďurišin’s conceptualization) that brings to the fore the meta-creational capacities of the target literature, the present article attempts (1) to study a translatability potential of a hypertext as based on the Ukrainian translation of James Joyce’s novel-hypertext Ulysses, and (2) to justify the role of its reception in the Ukrainian literary field as a force for language and culture development. The synthesis of a “verbal music” with a mosaic of texts and narratives – imitated, playfully transformed or directly quoted – is claimed to be a key source of hypertextuality in Ulysses. In this line of reasoning, the paper particularly focuses on (1) the role of both overcoming cultural barriers and leaving a space for reader’s co-creativity while transferring of intertexts; (2) the approaches to interpretation of parody and pastiche as forms of writing-as-translation practice; (3) J. Wawrzycka’s concept regarding translation of musicalized fiction as trans-semantification, i. e. attending to literariness of the text; (4) the idea of translator’s visibility attributed to the Ukrainian re-languaging of musicalized fiction.http://www.zurnalai.vu.lt/respectus-philologicus/article/view/12726James Joycehypertextualityintertextualityverbal musicliterary translation |
| spellingShingle | Mariia Bondarenko Non-linearity and/in Translation: On Complex Strategies in the Ukrainian Rendition of Joyce’s Novel-Hypertext “Ulysses” Respectus Philologicus James Joyce hypertextuality intertextuality verbal music literary translation |
| title | Non-linearity and/in Translation: On Complex Strategies in the Ukrainian Rendition of Joyce’s Novel-Hypertext “Ulysses” |
| title_full | Non-linearity and/in Translation: On Complex Strategies in the Ukrainian Rendition of Joyce’s Novel-Hypertext “Ulysses” |
| title_fullStr | Non-linearity and/in Translation: On Complex Strategies in the Ukrainian Rendition of Joyce’s Novel-Hypertext “Ulysses” |
| title_full_unstemmed | Non-linearity and/in Translation: On Complex Strategies in the Ukrainian Rendition of Joyce’s Novel-Hypertext “Ulysses” |
| title_short | Non-linearity and/in Translation: On Complex Strategies in the Ukrainian Rendition of Joyce’s Novel-Hypertext “Ulysses” |
| title_sort | non linearity and in translation on complex strategies in the ukrainian rendition of joyce s novel hypertext ulysses |
| topic | James Joyce hypertextuality intertextuality verbal music literary translation |
| url | http://www.zurnalai.vu.lt/respectus-philologicus/article/view/12726 |
| work_keys_str_mv | AT mariiabondarenko nonlinearityandintranslationoncomplexstrategiesintheukrainianrenditionofjoycesnovelhypertextulysses |