Spazio e percezione nella ricerca di Massimo Bartolini
This paper aims at providing a thorough examination of one possible interpretations of the relationship between art and senses within the field of contemporary visual arts, through a specifically identified case study: Massimo Bartolini’s works. In particular, a selected number of works based on syn...
Main Authors: | , |
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Format: | Article |
Language: | English |
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Milano University Press
2013-04-01
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Series: | Itinera |
Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/2927 |
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author | Marco Scotti Anna Zinelli |
author_facet | Marco Scotti Anna Zinelli |
author_sort | Marco Scotti |
collection | DOAJ |
description | This paper aims at providing a thorough examination of one possible interpretations of the relationship between art and senses within the field of contemporary visual arts, through a specifically identified case study: Massimo Bartolini’s works. In particular, a selected number of works based on synaesthesia has been chosen (Casa di Francesca Sorace, 1993; Mixing Parfums, 2000; El Jardì de Roses, la Font de Pedres, 2007; La strada di sotto, 2011): these projects concern environmental distortion aiming to redefine the perception of space questioning the usual and established modalities of fruition. |
first_indexed | 2024-03-12T09:48:49Z |
format | Article |
id | doaj.art-2529c675ec4b45198cc200be90ab1c36 |
institution | Directory Open Access Journal |
issn | 2039-9251 |
language | English |
last_indexed | 2024-03-12T09:48:49Z |
publishDate | 2013-04-01 |
publisher | Milano University Press |
record_format | Article |
series | Itinera |
spelling | doaj.art-2529c675ec4b45198cc200be90ab1c362023-09-02T12:40:09ZengMilano University PressItinera2039-92512013-04-01510.13130/2039-9251/2927Spazio e percezione nella ricerca di Massimo BartoliniMarco Scotti0Anna Zinelli1Università IUAV di VeneziaUniversità degli Studi di ParmaThis paper aims at providing a thorough examination of one possible interpretations of the relationship between art and senses within the field of contemporary visual arts, through a specifically identified case study: Massimo Bartolini’s works. In particular, a selected number of works based on synaesthesia has been chosen (Casa di Francesca Sorace, 1993; Mixing Parfums, 2000; El Jardì de Roses, la Font de Pedres, 2007; La strada di sotto, 2011): these projects concern environmental distortion aiming to redefine the perception of space questioning the usual and established modalities of fruition.https://riviste.unimi.it/index.php/itinera/article/view/2927 |
spellingShingle | Marco Scotti Anna Zinelli Spazio e percezione nella ricerca di Massimo Bartolini Itinera |
title | Spazio e percezione nella ricerca di Massimo Bartolini |
title_full | Spazio e percezione nella ricerca di Massimo Bartolini |
title_fullStr | Spazio e percezione nella ricerca di Massimo Bartolini |
title_full_unstemmed | Spazio e percezione nella ricerca di Massimo Bartolini |
title_short | Spazio e percezione nella ricerca di Massimo Bartolini |
title_sort | spazio e percezione nella ricerca di massimo bartolini |
url | https://riviste.unimi.it/index.php/itinera/article/view/2927 |
work_keys_str_mv | AT marcoscotti spazioepercezionenellaricercadimassimobartolini AT annazinelli spazioepercezionenellaricercadimassimobartolini |