The Motif of Beauty in F.M. Dostoevsky’s Novel The Idiot
The article examines the cultural, historical, philosophical-aesthetic, and theological contexts of the aphorism “beauty will save the world”. Some researchers believe that for Dostoevsky “beauty” is Christ Himself; others argue that the aphorism denotes the main problem of the novel The Idiot. The...
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| Format: | Article |
| Language: | English |
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Russian Academy of Sciences. A.M. Gorky Institute of World Literature
2022-05-01
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| Series: | Достоевский и мировая культура: Филологический журнал |
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| Online Access: | http://dostmirkult.ru/images/2022-2/02_Sharakov_40-53.pdf |
| _version_ | 1818468417634566144 |
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| author | Sergey S. Sharakov |
| author_facet | Sergey S. Sharakov |
| author_sort | Sergey S. Sharakov |
| collection | DOAJ |
| description | The article examines the cultural, historical, philosophical-aesthetic, and theological contexts of the aphorism “beauty will save the world”. Some researchers believe that for Dostoevsky “beauty” is Christ Himself; others argue that the aphorism denotes the main problem of the novel The Idiot. The article identifies the semantics of the concept “beauty will save the world”. The study also focuses on the motif of beauty in the novel. Aglaia’s words about “chivalrous platonic love” point to the philosophical and aesthetic tradition of Plato’s philosophy of eros and to Schiller’s theory of the “aesthetic man”. Prince Myshkin was a supporter of the Platonic principle of elevation from the sensual to the ideal. Ippolit points out the anagogical nature of beauty. Ippolit’s question about how the apostles could believe in Christ’s resurrection if there was no beauty on the face of the crucified Savior introduces the gospel narrative of Christ’s suffering on the Cross and the foundation of the faith of the apostles involving repentance. In the Gospel, the principle of anagogy and repentance are understood as stages in the knowledge and understanding of God. Myshkin’s problem is that he offers his neighbor a strategy of anagogy without taking into account repentance. |
| first_indexed | 2024-04-13T21:11:59Z |
| format | Article |
| id | doaj.art-2584056c2e3a4f27ad6be97525d164ec |
| institution | Directory Open Access Journal |
| issn | 2619-0311 2712-8512 |
| language | English |
| last_indexed | 2024-04-13T21:11:59Z |
| publishDate | 2022-05-01 |
| publisher | Russian Academy of Sciences. A.M. Gorky Institute of World Literature |
| record_format | Article |
| series | Достоевский и мировая культура: Филологический журнал |
| spelling | doaj.art-2584056c2e3a4f27ad6be97525d164ec2022-12-22T02:29:48ZengRussian Academy of Sciences. A.M. Gorky Institute of World LiteratureДостоевский и мировая культура: Филологический журнал2619-03112712-85122022-05-012 (18)405310.22455/2619-0311-2022-2-40-53The Motif of Beauty in F.M. Dostoevsky’s Novel The IdiotSergey S. Sharakov0https://orcid.org/0000-0001-7059-9918Branch of the Novgorod State Museum “F.M. Dostoevsky Memorial House-Museum”The article examines the cultural, historical, philosophical-aesthetic, and theological contexts of the aphorism “beauty will save the world”. Some researchers believe that for Dostoevsky “beauty” is Christ Himself; others argue that the aphorism denotes the main problem of the novel The Idiot. The article identifies the semantics of the concept “beauty will save the world”. The study also focuses on the motif of beauty in the novel. Aglaia’s words about “chivalrous platonic love” point to the philosophical and aesthetic tradition of Plato’s philosophy of eros and to Schiller’s theory of the “aesthetic man”. Prince Myshkin was a supporter of the Platonic principle of elevation from the sensual to the ideal. Ippolit points out the anagogical nature of beauty. Ippolit’s question about how the apostles could believe in Christ’s resurrection if there was no beauty on the face of the crucified Savior introduces the gospel narrative of Christ’s suffering on the Cross and the foundation of the faith of the apostles involving repentance. In the Gospel, the principle of anagogy and repentance are understood as stages in the knowledge and understanding of God. Myshkin’s problem is that he offers his neighbor a strategy of anagogy without taking into account repentance.http://dostmirkult.ru/images/2022-2/02_Sharakov_40-53.pdfbeautyprinciple of anagogyplato’s erosaesthetic manrepentance |
| spellingShingle | Sergey S. Sharakov The Motif of Beauty in F.M. Dostoevsky’s Novel The Idiot Достоевский и мировая культура: Филологический журнал beauty principle of anagogy plato’s eros aesthetic man repentance |
| title | The Motif of Beauty in F.M. Dostoevsky’s Novel The Idiot |
| title_full | The Motif of Beauty in F.M. Dostoevsky’s Novel The Idiot |
| title_fullStr | The Motif of Beauty in F.M. Dostoevsky’s Novel The Idiot |
| title_full_unstemmed | The Motif of Beauty in F.M. Dostoevsky’s Novel The Idiot |
| title_short | The Motif of Beauty in F.M. Dostoevsky’s Novel The Idiot |
| title_sort | motif of beauty in f m dostoevsky s novel the idiot |
| topic | beauty principle of anagogy plato’s eros aesthetic man repentance |
| url | http://dostmirkult.ru/images/2022-2/02_Sharakov_40-53.pdf |
| work_keys_str_mv | AT sergeyssharakov themotifofbeautyinfmdostoevskysnoveltheidiot AT sergeyssharakov motifofbeautyinfmdostoevskysnoveltheidiot |