Du « theatrum physicum » a l’illusion enchanteresse. Trois exemples de la littérature dramatique hongroise (1817–1841)

From the “Theatrum Physicum” to the Magic of the Illusion. Three Examples in the Dramatic Hungarian Litterature (1817-1841) We are analyzing the presence of the theme of fire in three author’s work, from the beginning of the 19th century (Farkas Bolyai, Sándor Kisfaludy, László Teleki). These aut...

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Main Author: Emese Egyed
Format: Article
Language:English
Published: UArtPres 2020-08-01
Series:Symbolon
Subjects:
Online Access:http://uartpress.ro/journals/index.php/symbolon/article/view/108
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author Emese Egyed
author_facet Emese Egyed
author_sort Emese Egyed
collection DOAJ
description From the “Theatrum Physicum” to the Magic of the Illusion. Three Examples in the Dramatic Hungarian Litterature (1817-1841) We are analyzing the presence of the theme of fire in three author’s work, from the beginning of the 19th century (Farkas Bolyai, Sándor Kisfaludy, László Teleki). These authors wanted to present the history of the morality in theatrical pictures. The author or the director dares to give an individual response to problems like the relationship between the men in power and their inferiors, the social differences, the diversity of the country’s vision or the variety of the history’s narration. We cannot reduce our interpretation on the facts of the reception, because there are just a few of these from this period, but we can approach these mysterious theatrical works of the Hungarian literature by analyzing the different versions of the fire’s meanings.
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spelling doaj.art-25a7e96465944331ae251f2e4aaf06e42023-01-19T11:52:22ZengUArtPresSymbolon1582-327X2344-44602020-08-01172(31)7484108Du « theatrum physicum » a l’illusion enchanteresse. Trois exemples de la littérature dramatique hongroise (1817–1841)Emese Egyed0Babeş-Bolyai University of Cluj-NapocaFrom the “Theatrum Physicum” to the Magic of the Illusion. Three Examples in the Dramatic Hungarian Litterature (1817-1841) We are analyzing the presence of the theme of fire in three author’s work, from the beginning of the 19th century (Farkas Bolyai, Sándor Kisfaludy, László Teleki). These authors wanted to present the history of the morality in theatrical pictures. The author or the director dares to give an individual response to problems like the relationship between the men in power and their inferiors, the social differences, the diversity of the country’s vision or the variety of the history’s narration. We cannot reduce our interpretation on the facts of the reception, because there are just a few of these from this period, but we can approach these mysterious theatrical works of the Hungarian literature by analyzing the different versions of the fire’s meanings.http://uartpress.ro/journals/index.php/symbolon/article/view/108hungarian drama
spellingShingle Emese Egyed
Du « theatrum physicum » a l’illusion enchanteresse. Trois exemples de la littérature dramatique hongroise (1817–1841)
Symbolon
hungarian drama
title Du « theatrum physicum » a l’illusion enchanteresse. Trois exemples de la littérature dramatique hongroise (1817–1841)
title_full Du « theatrum physicum » a l’illusion enchanteresse. Trois exemples de la littérature dramatique hongroise (1817–1841)
title_fullStr Du « theatrum physicum » a l’illusion enchanteresse. Trois exemples de la littérature dramatique hongroise (1817–1841)
title_full_unstemmed Du « theatrum physicum » a l’illusion enchanteresse. Trois exemples de la littérature dramatique hongroise (1817–1841)
title_short Du « theatrum physicum » a l’illusion enchanteresse. Trois exemples de la littérature dramatique hongroise (1817–1841)
title_sort du theatrum physicum a l illusion enchanteresse trois exemples de la litterature dramatique hongroise 1817 1841
topic hungarian drama
url http://uartpress.ro/journals/index.php/symbolon/article/view/108
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