IRAN'S CONTEMPORARY POETRY INFLUENCES ON TAJIK POETRY
In this paper, we attempt to overview the modern Tajik poetry and poets whose poem’s had influenced by the modern Poetry of Iran. The necessity and importance of this research is to help on the comparative studies of researchers who wish to search on Iran and Tajik modern Poetry, and it will be also...
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| Format: | Article |
| Language: | fas |
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Shahid Bahonar University of Kerman
2016-02-01
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| Series: | ادبیات تطبیقی |
| Subjects: | |
| Online Access: | https://jcl.uk.ac.ir/article_1275_4a58b4cd4701b1740d2b2ec1251e37e9.pdf |
| _version_ | 1797304674097823744 |
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| author | Mitra Sharifzadeh |
| author_facet | Mitra Sharifzadeh |
| author_sort | Mitra Sharifzadeh |
| collection | DOAJ |
| description | In this paper, we attempt to overview the modern Tajik poetry and poets whose poem’s had influenced by the modern Poetry of Iran. The necessity and importance of this research is to help on the comparative studies of researchers who wish to search on Iran and Tajik modern Poetry, and it will be also a help to specialists in other fields such as Literature, History of Literature, Poetry and Blank verse Poems.The methodology base consists of journals and researches of skilled Poets and critics and then we tried to analysis different Iran and Tajik Poems, and specially Ahmad Shamloo and Dara Nejat’s Poetry. What we have been able to find out is, as a typical representative of the third generation Tajik poets, Dara Nejat, has been the most affected poets by Iranian Poetry. The ability of his local dialectic words and terminology, has simulated from Nima Yushij, Sohrab Sepehri surrealism of nature and free versing from Ahmad Shamloo. However, he has his own special style, which is collected from his ideology in pantheism, religious spiritualism, is most coordinated with his beautiful mimesis of Tajikistan nature and political-socialism gives Dara’s poetry more optimism about the world, deviation and unparalleled terminology formation than, Shamloo’s poetry. But it must be said that with all the influence of Shamloo, Dara Nejat had written Tajik Blank verse. |
| first_indexed | 2024-03-08T00:13:50Z |
| format | Article |
| id | doaj.art-25c3846c383647eb825f001c69d743c8 |
| institution | Directory Open Access Journal |
| issn | 2008-6512 2821-1006 |
| language | fas |
| last_indexed | 2024-03-08T00:13:50Z |
| publishDate | 2016-02-01 |
| publisher | Shahid Bahonar University of Kerman |
| record_format | Article |
| series | ادبیات تطبیقی |
| spelling | doaj.art-25c3846c383647eb825f001c69d743c82024-02-17T06:28:56ZfasShahid Bahonar University of Kermanادبیات تطبیقی2008-65122821-10062016-02-0171314917410.22103/jcl.2016.12751275IRAN'S CONTEMPORARY POETRY INFLUENCES ON TAJIK POETRYMitra Sharifzadeh0editor-lecturer/ selfemployedIn this paper, we attempt to overview the modern Tajik poetry and poets whose poem’s had influenced by the modern Poetry of Iran. The necessity and importance of this research is to help on the comparative studies of researchers who wish to search on Iran and Tajik modern Poetry, and it will be also a help to specialists in other fields such as Literature, History of Literature, Poetry and Blank verse Poems.The methodology base consists of journals and researches of skilled Poets and critics and then we tried to analysis different Iran and Tajik Poems, and specially Ahmad Shamloo and Dara Nejat’s Poetry. What we have been able to find out is, as a typical representative of the third generation Tajik poets, Dara Nejat, has been the most affected poets by Iranian Poetry. The ability of his local dialectic words and terminology, has simulated from Nima Yushij, Sohrab Sepehri surrealism of nature and free versing from Ahmad Shamloo. However, he has his own special style, which is collected from his ideology in pantheism, religious spiritualism, is most coordinated with his beautiful mimesis of Tajikistan nature and political-socialism gives Dara’s poetry more optimism about the world, deviation and unparalleled terminology formation than, Shamloo’s poetry. But it must be said that with all the influence of Shamloo, Dara Nejat had written Tajik Blank verse.https://jcl.uk.ac.ir/article_1275_4a58b4cd4701b1740d2b2ec1251e37e9.pdf"dara nejat""ahmad shamloo""imitation""deviation""blank verse" |
| spellingShingle | Mitra Sharifzadeh IRAN'S CONTEMPORARY POETRY INFLUENCES ON TAJIK POETRY ادبیات تطبیقی "dara nejat" "ahmad shamloo" "imitation" "deviation" "blank verse" |
| title | IRAN'S CONTEMPORARY POETRY INFLUENCES ON TAJIK POETRY |
| title_full | IRAN'S CONTEMPORARY POETRY INFLUENCES ON TAJIK POETRY |
| title_fullStr | IRAN'S CONTEMPORARY POETRY INFLUENCES ON TAJIK POETRY |
| title_full_unstemmed | IRAN'S CONTEMPORARY POETRY INFLUENCES ON TAJIK POETRY |
| title_short | IRAN'S CONTEMPORARY POETRY INFLUENCES ON TAJIK POETRY |
| title_sort | iran s contemporary poetry influences on tajik poetry |
| topic | "dara nejat" "ahmad shamloo" "imitation" "deviation" "blank verse" |
| url | https://jcl.uk.ac.ir/article_1275_4a58b4cd4701b1740d2b2ec1251e37e9.pdf |
| work_keys_str_mv | AT mitrasharifzadeh iranscontemporarypoetryinfluencesontajikpoetry |