Dying Still Lifes in the Works of Lawrence Durrell: Questioning the Visible

This paper explores the various forms of dying still lifes in Lawrence Durrell’s Alexandria Quartet and Avignon Quintet. Starting from the study of the representation of the cityscape in The Quartet we show how the city metamorphoses into an empowered and wilful protagonist who dispossesses human su...

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Main Author: Isabelle Keller-Privat
Format: Article
Language:English
Published: Université Toulouse - Jean Jaurès 2023-01-01
Series:Miranda: Revue Pluridisciplinaire du Monde Anglophone
Subjects:
Online Access:http://journals.openedition.org/miranda/51446
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author Isabelle Keller-Privat
author_facet Isabelle Keller-Privat
author_sort Isabelle Keller-Privat
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description This paper explores the various forms of dying still lifes in Lawrence Durrell’s Alexandria Quartet and Avignon Quintet. Starting from the study of the representation of the cityscape in The Quartet we show how the city metamorphoses into an empowered and wilful protagonist who dispossesses human subjects of their own agency and traps them in the obsessive repetition of dying still lifes that betray their own deathly violence. These embedded still lifes reshape our perception of life and death and reorient our gaze towards the irrepresentable: that of death as well as that of a fictional time-space that expands beyond the limits of the book. Thus, the animal and male dying still lifes of The Quartet resurface in The Quintet as feminine still lifes challenging death and male power: that of the spouse, of the hunter, and of the narrator. Beyond the staging of animal and female preys scattered throughout the texts, the dying still lifes open onto a transgressive space that questions mimesis and hegemony.
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spelling doaj.art-260d2fb51a2549c78939edd50e6df8ca2023-06-07T12:21:17ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592023-01-012710.4000/miranda.51446Dying Still Lifes in the Works of Lawrence Durrell: Questioning the VisibleIsabelle Keller-PrivatThis paper explores the various forms of dying still lifes in Lawrence Durrell’s Alexandria Quartet and Avignon Quintet. Starting from the study of the representation of the cityscape in The Quartet we show how the city metamorphoses into an empowered and wilful protagonist who dispossesses human subjects of their own agency and traps them in the obsessive repetition of dying still lifes that betray their own deathly violence. These embedded still lifes reshape our perception of life and death and reorient our gaze towards the irrepresentable: that of death as well as that of a fictional time-space that expands beyond the limits of the book. Thus, the animal and male dying still lifes of The Quartet resurface in The Quintet as feminine still lifes challenging death and male power: that of the spouse, of the hunter, and of the narrator. Beyond the staging of animal and female preys scattered throughout the texts, the dying still lifes open onto a transgressive space that questions mimesis and hegemony.http://journals.openedition.org/miranda/51446agencyhauntingmimesispoetryvulnerability
spellingShingle Isabelle Keller-Privat
Dying Still Lifes in the Works of Lawrence Durrell: Questioning the Visible
Miranda: Revue Pluridisciplinaire du Monde Anglophone
agency
haunting
mimesis
poetry
vulnerability
title Dying Still Lifes in the Works of Lawrence Durrell: Questioning the Visible
title_full Dying Still Lifes in the Works of Lawrence Durrell: Questioning the Visible
title_fullStr Dying Still Lifes in the Works of Lawrence Durrell: Questioning the Visible
title_full_unstemmed Dying Still Lifes in the Works of Lawrence Durrell: Questioning the Visible
title_short Dying Still Lifes in the Works of Lawrence Durrell: Questioning the Visible
title_sort dying still lifes in the works of lawrence durrell questioning the visible
topic agency
haunting
mimesis
poetry
vulnerability
url http://journals.openedition.org/miranda/51446
work_keys_str_mv AT isabellekellerprivat dyingstilllifesintheworksoflawrencedurrellquestioningthevisible