Muriel Rukeyser’s “Campaign” and the Spectacular Documentary Poetics of the Whistle Stop Tour
This article examines how documentary poetics—particularly as employed by Muriel Rukeyser—use a montage of images to form a visual landscape. This visual landscape is wielded effectively by politicians during the Whistle Stop Tour electioneering. In Rukeyser’s “Campaign”, one section in her long-for...
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| Format: | Article |
| Language: | English |
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MDPI AG
2022-12-01
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| Series: | Humanities |
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| Online Access: | https://www.mdpi.com/2076-0787/11/6/157 |
| _version_ | 1797457389204537344 |
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| author | Michael Anthony Smith |
| author_facet | Michael Anthony Smith |
| author_sort | Michael Anthony Smith |
| collection | DOAJ |
| description | This article examines how documentary poetics—particularly as employed by Muriel Rukeyser—use a montage of images to form a visual landscape. This visual landscape is wielded effectively by politicians during the Whistle Stop Tour electioneering. In Rukeyser’s “Campaign”, one section in her long-form poetic biography of Wendell Willkie, entitled <i>One Life</i>, she describes the journey of the 1940 Republican presidential candidate as he campaigns from the observation car of a train. The visual landscape created by the Whistle Stop Tour and described through documentary poetics contains Willkie, his audience, and the train itself. It is a unified spectacle, one that contains the rider, the reader, and the onlooker. Rukeyser’s documentary poetry and sensory-rich verse delimit the observation car as the mechanism through which this spectacle forms. The documentary poetics genre is one aptly suited for the description of the landscape through this railcar—a high velocity railspace that relays information by montage, which is to say, through a filmic collage of information assembled into a readable layout of the perceived world. |
| first_indexed | 2024-03-09T16:20:26Z |
| format | Article |
| id | doaj.art-2622628435134937a56d3ae59edd8aa3 |
| institution | Directory Open Access Journal |
| issn | 2076-0787 |
| language | English |
| last_indexed | 2024-03-09T16:20:26Z |
| publishDate | 2022-12-01 |
| publisher | MDPI AG |
| record_format | Article |
| series | Humanities |
| spelling | doaj.art-2622628435134937a56d3ae59edd8aa32023-11-24T15:17:18ZengMDPI AGHumanities2076-07872022-12-0111615710.3390/h11060157Muriel Rukeyser’s “Campaign” and the Spectacular Documentary Poetics of the Whistle Stop TourMichael Anthony Smith0The Fine Foundation, Pittsburgh, PA 15222, USAThis article examines how documentary poetics—particularly as employed by Muriel Rukeyser—use a montage of images to form a visual landscape. This visual landscape is wielded effectively by politicians during the Whistle Stop Tour electioneering. In Rukeyser’s “Campaign”, one section in her long-form poetic biography of Wendell Willkie, entitled <i>One Life</i>, she describes the journey of the 1940 Republican presidential candidate as he campaigns from the observation car of a train. The visual landscape created by the Whistle Stop Tour and described through documentary poetics contains Willkie, his audience, and the train itself. It is a unified spectacle, one that contains the rider, the reader, and the onlooker. Rukeyser’s documentary poetry and sensory-rich verse delimit the observation car as the mechanism through which this spectacle forms. The documentary poetics genre is one aptly suited for the description of the landscape through this railcar—a high velocity railspace that relays information by montage, which is to say, through a filmic collage of information assembled into a readable layout of the perceived world.https://www.mdpi.com/2076-0787/11/6/157RukeyserrailroadWillkiedocumentary poetrymontagegeocriticism |
| spellingShingle | Michael Anthony Smith Muriel Rukeyser’s “Campaign” and the Spectacular Documentary Poetics of the Whistle Stop Tour Humanities Rukeyser railroad Willkie documentary poetry montage geocriticism |
| title | Muriel Rukeyser’s “Campaign” and the Spectacular Documentary Poetics of the Whistle Stop Tour |
| title_full | Muriel Rukeyser’s “Campaign” and the Spectacular Documentary Poetics of the Whistle Stop Tour |
| title_fullStr | Muriel Rukeyser’s “Campaign” and the Spectacular Documentary Poetics of the Whistle Stop Tour |
| title_full_unstemmed | Muriel Rukeyser’s “Campaign” and the Spectacular Documentary Poetics of the Whistle Stop Tour |
| title_short | Muriel Rukeyser’s “Campaign” and the Spectacular Documentary Poetics of the Whistle Stop Tour |
| title_sort | muriel rukeyser s campaign and the spectacular documentary poetics of the whistle stop tour |
| topic | Rukeyser railroad Willkie documentary poetry montage geocriticism |
| url | https://www.mdpi.com/2076-0787/11/6/157 |
| work_keys_str_mv | AT michaelanthonysmith murielrukeyserscampaignandthespectaculardocumentarypoeticsofthewhistlestoptour |