From Patricide to Patrilineality: Adapting <i>The Wandering Earth</i> for the Big Screen

This paper discusses how Liu Cixin’s 2000 novella “The Wandering Earth” was adapted into a family melodrama that ultimately reinforces the authority of the Father and the nation-state. It analyzes the complex mechanisms, such as <i>mise en abyme</i> and scapegoating, that serve to condon...

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Main Author: Ping Zhu
Format: Article
Language:English
Published: MDPI AG 2020-09-01
Series:Arts
Subjects:
Online Access:https://www.mdpi.com/2076-0752/9/3/94
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author Ping Zhu
author_facet Ping Zhu
author_sort Ping Zhu
collection DOAJ
description This paper discusses how Liu Cixin’s 2000 novella “The Wandering Earth” was adapted into a family melodrama that ultimately reinforces the authority of the Father and the nation-state. It analyzes the complex mechanisms, such as <i>mise en abyme</i> and scapegoating, that serve to condone the patriarch’s power, as well as the intertextuality tying the film to the socialist culture. This paper analyses the social context that foregrounds the conversion from symbolic patricide (breaking the established system) to symbolic patrilineality (integration into the social order) in the film and also discusses the inherent tension between the radical apocalyptic vision offered in the original science fiction story and the cultural industry serving the interests of the established order.
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spelling doaj.art-264685885a0a4f139df98ffde6e47f1c2023-11-20T12:33:17ZengMDPI AGArts2076-07522020-09-01939410.3390/arts9030094From Patricide to Patrilineality: Adapting <i>The Wandering Earth</i> for the Big ScreenPing Zhu0Department of Modern Languages, Literatures, and Linguistics, University of Oklahoma, Norman, OK 73019, USAThis paper discusses how Liu Cixin’s 2000 novella “The Wandering Earth” was adapted into a family melodrama that ultimately reinforces the authority of the Father and the nation-state. It analyzes the complex mechanisms, such as <i>mise en abyme</i> and scapegoating, that serve to condone the patriarch’s power, as well as the intertextuality tying the film to the socialist culture. This paper analyses the social context that foregrounds the conversion from symbolic patricide (breaking the established system) to symbolic patrilineality (integration into the social order) in the film and also discusses the inherent tension between the radical apocalyptic vision offered in the original science fiction story and the cultural industry serving the interests of the established order.https://www.mdpi.com/2076-0752/9/3/94science fiction<i>The Wandering Earth</i>patricidepatrilinealityadaptationnationalism
spellingShingle Ping Zhu
From Patricide to Patrilineality: Adapting <i>The Wandering Earth</i> for the Big Screen
Arts
science fiction
<i>The Wandering Earth</i>
patricide
patrilineality
adaptation
nationalism
title From Patricide to Patrilineality: Adapting <i>The Wandering Earth</i> for the Big Screen
title_full From Patricide to Patrilineality: Adapting <i>The Wandering Earth</i> for the Big Screen
title_fullStr From Patricide to Patrilineality: Adapting <i>The Wandering Earth</i> for the Big Screen
title_full_unstemmed From Patricide to Patrilineality: Adapting <i>The Wandering Earth</i> for the Big Screen
title_short From Patricide to Patrilineality: Adapting <i>The Wandering Earth</i> for the Big Screen
title_sort from patricide to patrilineality adapting i the wandering earth i for the big screen
topic science fiction
<i>The Wandering Earth</i>
patricide
patrilineality
adaptation
nationalism
url https://www.mdpi.com/2076-0752/9/3/94
work_keys_str_mv AT pingzhu frompatricidetopatrilinealityadaptingithewanderingearthiforthebigscreen