Ávida soledad: análisis crítico de un pasaje de «Descripción de la mentira»
From Graciela Iturbide’s photographs, Elena Poniatowska writes Juchitán de las mujeres placing the vindication of the juchiteca women as the guiding thread. Poniatowska not only describes the images, but also gives the reader some context and connects the characters with each other, creating, in thi...
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Format: | Article |
Language: | Spanish |
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Universidad Complutense de Madrid
2021-04-01
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Series: | Ala Este |
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Online Access: | https://www.ucm.es/alaeste/file/1.-avida-soledad-1 |
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author | Diego López López |
author_facet | Diego López López |
author_sort | Diego López López |
collection | DOAJ |
description | From Graciela Iturbide’s photographs, Elena Poniatowska writes Juchitán de las mujeres placing the vindication of the juchiteca women as the guiding thread. Poniatowska not only describes the images, but also gives the reader some context and connects the characters with each other, creating, in this way, a social and affective network that is implicit in the photography. On the other side, Juan Villoro’s Forward Kioto’s characters are influenced by the photographs mentioned throughout the story.
Villoro includes his own reading of the photographs and plays with its symbolism, developing its meaning and relating it with the text as well
as the events that the protagonist narrates. His tale poses a reflection on visual and written communication, and a debate about Mexican identity. |
first_indexed | 2024-04-24T06:46:14Z |
format | Article |
id | doaj.art-265c491fb9e84f54b61e0bd1f8ab1768 |
institution | Directory Open Access Journal |
issn | 2792-3800 |
language | Spanish |
last_indexed | 2024-04-24T06:46:14Z |
publishDate | 2021-04-01 |
publisher | Universidad Complutense de Madrid |
record_format | Article |
series | Ala Este |
spelling | doaj.art-265c491fb9e84f54b61e0bd1f8ab17682024-04-22T18:21:34ZspaUniversidad Complutense de MadridAla Este2792-38002021-04-011-926Ávida soledad: análisis crítico de un pasaje de «Descripción de la mentira»Diego López López0Universidad Complutense de MadridFrom Graciela Iturbide’s photographs, Elena Poniatowska writes Juchitán de las mujeres placing the vindication of the juchiteca women as the guiding thread. Poniatowska not only describes the images, but also gives the reader some context and connects the characters with each other, creating, in this way, a social and affective network that is implicit in the photography. On the other side, Juan Villoro’s Forward Kioto’s characters are influenced by the photographs mentioned throughout the story. Villoro includes his own reading of the photographs and plays with its symbolism, developing its meaning and relating it with the text as well as the events that the protagonist narrates. His tale poses a reflection on visual and written communication, and a debate about Mexican identity.https://www.ucm.es/alaeste/file/1.-avida-soledad-1graciela iturbidephotography and literaturelatin american narrativecomparative literature |
spellingShingle | Diego López López Ávida soledad: análisis crítico de un pasaje de «Descripción de la mentira» Ala Este graciela iturbide photography and literature latin american narrative comparative literature |
title | Ávida soledad: análisis crítico de un pasaje de «Descripción de la mentira» |
title_full | Ávida soledad: análisis crítico de un pasaje de «Descripción de la mentira» |
title_fullStr | Ávida soledad: análisis crítico de un pasaje de «Descripción de la mentira» |
title_full_unstemmed | Ávida soledad: análisis crítico de un pasaje de «Descripción de la mentira» |
title_short | Ávida soledad: análisis crítico de un pasaje de «Descripción de la mentira» |
title_sort | avida soledad analisis critico de un pasaje de descripcion de la mentira |
topic | graciela iturbide photography and literature latin american narrative comparative literature |
url | https://www.ucm.es/alaeste/file/1.-avida-soledad-1 |
work_keys_str_mv | AT diegolopezlopez avidasoledadanalisiscriticodeunpasajededescripciondelamentira |