A periferia de Freud - do pai freudiano ao objeto lacaniano

The article examines how Freud describes his visit to Athens in his texts. This encounter is marked by a certain sense of vertigo, and how, according to Lacan, it represents the interlacing of the extreme point of desire with the function of interdiction. Once a limit is fixed by a 'no' to...

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Main Author: Marcus André Vieira
Format: Article
Language:English
Published: Universidade Federal do Rio de Janeiro 2008-01-01
Series:Arquivos Brasileiros de Psicologia
Online Access:http://www.redalyc.org/articulo.oa?id=229017544014
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author Marcus André Vieira
author_facet Marcus André Vieira
author_sort Marcus André Vieira
collection DOAJ
description The article examines how Freud describes his visit to Athens in his texts. This encounter is marked by a certain sense of vertigo, and how, according to Lacan, it represents the interlacing of the extreme point of desire with the function of interdiction. Once a limit is fixed by a 'no' to the unlimited jouissance, new possibilities may present themselves. The relationship between desire and interdiction is touched from the point of view of MV Bill, a brazilian rapper. Once attained the social status of celebrity, the rapper seems also subject to a certain vertigo. He doesn't seeks Freud's orientation nor explanation, but something else. The same obstacle that presented itself to Freud on the Acropolis now presents itself to the rapper, this encounter with the point in which success seems failure, in which a man's top achievement make way to anguish. Thus, the article examines, from a Lacanian perspective in which the encounters of Freud and MV Bill can be seen as encounters with the object 'a', the possibility to find a place to that that is structurally outside, or in Lacan´s terms, ex-sisting.
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spelling doaj.art-26ca1ea85cb045b1bb5da130841ed8b22022-12-22T00:38:06ZengUniversidade Federal do Rio de JaneiroArquivos Brasileiros de Psicologia0100-86921809-52672008-01-01601152158A periferia de Freud - do pai freudiano ao objeto lacanianoMarcus André VieiraThe article examines how Freud describes his visit to Athens in his texts. This encounter is marked by a certain sense of vertigo, and how, according to Lacan, it represents the interlacing of the extreme point of desire with the function of interdiction. Once a limit is fixed by a 'no' to the unlimited jouissance, new possibilities may present themselves. The relationship between desire and interdiction is touched from the point of view of MV Bill, a brazilian rapper. Once attained the social status of celebrity, the rapper seems also subject to a certain vertigo. He doesn't seeks Freud's orientation nor explanation, but something else. The same obstacle that presented itself to Freud on the Acropolis now presents itself to the rapper, this encounter with the point in which success seems failure, in which a man's top achievement make way to anguish. Thus, the article examines, from a Lacanian perspective in which the encounters of Freud and MV Bill can be seen as encounters with the object 'a', the possibility to find a place to that that is structurally outside, or in Lacan´s terms, ex-sisting.http://www.redalyc.org/articulo.oa?id=229017544014
spellingShingle Marcus André Vieira
A periferia de Freud - do pai freudiano ao objeto lacaniano
Arquivos Brasileiros de Psicologia
title A periferia de Freud - do pai freudiano ao objeto lacaniano
title_full A periferia de Freud - do pai freudiano ao objeto lacaniano
title_fullStr A periferia de Freud - do pai freudiano ao objeto lacaniano
title_full_unstemmed A periferia de Freud - do pai freudiano ao objeto lacaniano
title_short A periferia de Freud - do pai freudiano ao objeto lacaniano
title_sort periferia de freud do pai freudiano ao objeto lacaniano
url http://www.redalyc.org/articulo.oa?id=229017544014
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