Tempo e percezione in <em>The Body Artist</em> di Don DeLillo e <em>Ghost Trio</em> di Samuel Beckett
This essay provides a critical analysis of Don DeLillo’s novel The Body Artist and Samuel Beckett’s work for television Ghost Trio. In particular it analyses the representation of time and its perception in both these works, highlighting some shared aesthetic modalities such as their attempt to depi...
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| Format: | Article |
| Language: | English |
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Firenze University Press
2013-03-01
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| Series: | Studi Irlandesi |
| Online Access: | https://oajournals.fupress.net/index.php/bsfm-sijis/article/view/7166 |
| _version_ | 1818120049258397696 |
|---|---|
| author | Davide Barbuscia |
| author_facet | Davide Barbuscia |
| author_sort | Davide Barbuscia |
| collection | DOAJ |
| description | This essay provides a critical analysis of Don DeLillo’s novel The Body Artist and Samuel Beckett’s work for television Ghost Trio. In particular it analyses the representation of time and its perception in both these works, highlighting some shared aesthetic modalities such as their attempt to depict duration through a poetics of slow motion. The essay also foregrounds how both these works give narrative form to Merleau-Ponty’s understanding of ‘time as its perception’. |
| first_indexed | 2024-12-11T05:19:55Z |
| format | Article |
| id | doaj.art-26da341b4ee6495abb9457a9481dfb17 |
| institution | Directory Open Access Journal |
| issn | 2239-3978 |
| language | English |
| last_indexed | 2024-12-11T05:19:55Z |
| publishDate | 2013-03-01 |
| publisher | Firenze University Press |
| record_format | Article |
| series | Studi Irlandesi |
| spelling | doaj.art-26da341b4ee6495abb9457a9481dfb172022-12-22T01:19:44ZengFirenze University PressStudi Irlandesi2239-39782013-03-012210.13128/SIJIS-2239-3978-1242810873Tempo e percezione in <em>The Body Artist</em> di Don DeLillo e <em>Ghost Trio</em> di Samuel BeckettDavide BarbusciaThis essay provides a critical analysis of Don DeLillo’s novel The Body Artist and Samuel Beckett’s work for television Ghost Trio. In particular it analyses the representation of time and its perception in both these works, highlighting some shared aesthetic modalities such as their attempt to depict duration through a poetics of slow motion. The essay also foregrounds how both these works give narrative form to Merleau-Ponty’s understanding of ‘time as its perception’.https://oajournals.fupress.net/index.php/bsfm-sijis/article/view/7166 |
| spellingShingle | Davide Barbuscia Tempo e percezione in <em>The Body Artist</em> di Don DeLillo e <em>Ghost Trio</em> di Samuel Beckett Studi Irlandesi |
| title | Tempo e percezione in <em>The Body Artist</em> di Don DeLillo e <em>Ghost Trio</em> di Samuel Beckett |
| title_full | Tempo e percezione in <em>The Body Artist</em> di Don DeLillo e <em>Ghost Trio</em> di Samuel Beckett |
| title_fullStr | Tempo e percezione in <em>The Body Artist</em> di Don DeLillo e <em>Ghost Trio</em> di Samuel Beckett |
| title_full_unstemmed | Tempo e percezione in <em>The Body Artist</em> di Don DeLillo e <em>Ghost Trio</em> di Samuel Beckett |
| title_short | Tempo e percezione in <em>The Body Artist</em> di Don DeLillo e <em>Ghost Trio</em> di Samuel Beckett |
| title_sort | tempo e percezione in em the body artist em di don delillo e em ghost trio em di samuel beckett |
| url | https://oajournals.fupress.net/index.php/bsfm-sijis/article/view/7166 |
| work_keys_str_mv | AT davidebarbuscia tempoepercezioneinemthebodyartistemdidondelilloeemghosttrioemdisamuelbeckett |