Temporality and Beauty in Antony and Cleopatra

This essay shows how, in Shakespeare’s Antony and Cleopatra, the relation between the protagonists can be seen as an insurmountable contrast between two different cultures – on the one hand, the “diurnal” and “rational” culture of Rome and, on the other hand, the “nocturnal” and “passionate” culture...

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Main Author: Giuseppe Di Giacomo
Format: Article
Language:English
Published: Firenze University Press 2018-11-01
Series:Aisthesis
Subjects:
Online Access:https://oajournals.fupress.net/index.php/aisthesis/article/view/981
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author Giuseppe Di Giacomo
author_facet Giuseppe Di Giacomo
author_sort Giuseppe Di Giacomo
collection DOAJ
description This essay shows how, in Shakespeare’s Antony and Cleopatra, the relation between the protagonists can be seen as an insurmountable contrast between two different cultures – on the one hand, the “diurnal” and “rational” culture of Rome and, on the other hand, the “nocturnal” and “passionate” culture of Egypt –, but also as an opposition between two different ways of understanding the relation between illusion and reality, appearance and truth, and thus between theatre and life. More specifically, what emerges is the awareness that art, embodied in Cleopatra’s beauty, constantly reminds us of the unredeemable finitude and transience of the human being, who is inevitably immersed in time. In this light, if art is able to become a manifestation of truth, the fact remains that such truth, as final sense, is something that art can “show”, but only to indicate its perpetually elusive character. It is indeed a truth which, like the indecipherable secret kept in the Mausoleum, cannot be “told” or “represented” once and for all.
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spelling doaj.art-270553bbcd5e4bc0a419714c959781c52022-12-22T01:01:32ZengFirenze University PressAisthesis2035-84662018-11-01112Temporality and Beauty in Antony and CleopatraGiuseppe Di Giacomo0Sapienza Università di RomaThis essay shows how, in Shakespeare’s Antony and Cleopatra, the relation between the protagonists can be seen as an insurmountable contrast between two different cultures – on the one hand, the “diurnal” and “rational” culture of Rome and, on the other hand, the “nocturnal” and “passionate” culture of Egypt –, but also as an opposition between two different ways of understanding the relation between illusion and reality, appearance and truth, and thus between theatre and life. More specifically, what emerges is the awareness that art, embodied in Cleopatra’s beauty, constantly reminds us of the unredeemable finitude and transience of the human being, who is inevitably immersed in time. In this light, if art is able to become a manifestation of truth, the fact remains that such truth, as final sense, is something that art can “show”, but only to indicate its perpetually elusive character. It is indeed a truth which, like the indecipherable secret kept in the Mausoleum, cannot be “told” or “represented” once and for all.https://oajournals.fupress.net/index.php/aisthesis/article/view/981Antony and CleopatraShakespearebeautytemporalityart-life
spellingShingle Giuseppe Di Giacomo
Temporality and Beauty in Antony and Cleopatra
Aisthesis
Antony and Cleopatra
Shakespeare
beauty
temporality
art-life
title Temporality and Beauty in Antony and Cleopatra
title_full Temporality and Beauty in Antony and Cleopatra
title_fullStr Temporality and Beauty in Antony and Cleopatra
title_full_unstemmed Temporality and Beauty in Antony and Cleopatra
title_short Temporality and Beauty in Antony and Cleopatra
title_sort temporality and beauty in antony and cleopatra
topic Antony and Cleopatra
Shakespeare
beauty
temporality
art-life
url https://oajournals.fupress.net/index.php/aisthesis/article/view/981
work_keys_str_mv AT giuseppedigiacomo temporalityandbeautyinantonyandcleopatra