Fidèles au spectacle
In 1927, there was no collective body of catholic cinemagoers. However, the project of winning back the masses through the cinema led to the development of catholic investment in this field. Thus, answering the call of the Church, catholic missionary spectators appeared in the diocese of Paris. Cine...
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| Format: | Article |
| Language: | deu |
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Conserveries Mémorielles
2012-04-01
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| Series: | Conserveries Mémorielles |
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| Online Access: | http://journals.openedition.org/cm/1225 |
| _version_ | 1818522639452340224 |
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| author | Mélisande Leventopoulos |
| author_facet | Mélisande Leventopoulos |
| author_sort | Mélisande Leventopoulos |
| collection | DOAJ |
| description | In 1927, there was no collective body of catholic cinemagoers. However, the project of winning back the masses through the cinema led to the development of catholic investment in this field. Thus, answering the call of the Church, catholic missionary spectators appeared in the diocese of Paris. Cinemagoers were taught how to view different types of film and this initiation led, at the end of the 1930s, to the emergence of a catholic audience per se in Paris. |
| first_indexed | 2024-12-11T05:35:57Z |
| format | Article |
| id | doaj.art-27192195bcc749ec9d0703065ed510df |
| institution | Directory Open Access Journal |
| issn | 1718-5556 |
| language | deu |
| last_indexed | 2024-12-11T05:35:57Z |
| publishDate | 2012-04-01 |
| publisher | Conserveries Mémorielles |
| record_format | Article |
| series | Conserveries Mémorielles |
| spelling | doaj.art-27192195bcc749ec9d0703065ed510df2022-12-22T01:19:17ZdeuConserveries MémoriellesConserveries Mémorielles1718-55562012-04-0112Fidèles au spectacleMélisande LeventopoulosIn 1927, there was no collective body of catholic cinemagoers. However, the project of winning back the masses through the cinema led to the development of catholic investment in this field. Thus, answering the call of the Church, catholic missionary spectators appeared in the diocese of Paris. Cinemagoers were taught how to view different types of film and this initiation led, at the end of the 1930s, to the emergence of a catholic audience per se in Paris.http://journals.openedition.org/cm/1225Catholic Churchcinema |
| spellingShingle | Mélisande Leventopoulos Fidèles au spectacle Conserveries Mémorielles Catholic Church cinema |
| title | Fidèles au spectacle |
| title_full | Fidèles au spectacle |
| title_fullStr | Fidèles au spectacle |
| title_full_unstemmed | Fidèles au spectacle |
| title_short | Fidèles au spectacle |
| title_sort | fideles au spectacle |
| topic | Catholic Church cinema |
| url | http://journals.openedition.org/cm/1225 |
| work_keys_str_mv | AT melisandeleventopoulos fidelesauspectacle |