Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre

This paper argues that Sans-titre, by the choreographer Raimund Hoghe (2009), proposes that it is through a movement of release from the static forces of cultural representation that the subject may become closer to others as humans. In other words, the subject may thus build a relationship based o...

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Main Author: Gustavo Vicente
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2021-06-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/112445
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author Gustavo Vicente
author_facet Gustavo Vicente
author_sort Gustavo Vicente
collection DOAJ
description This paper argues that Sans-titre, by the choreographer Raimund Hoghe (2009), proposes that it is through a movement of release from the static forces of cultural representation that the subject may become closer to others as humans. In other words, the subject may thus build a relationship based on ethics. The analysis draws on a subjective interpretation that unfolds according to the narrative sequence of the performance, therefore trying to free itself from the neutral (and potentially simplistic) look commonly associated with traditional academic models, while at the same time raising new critical possibilities around reception aesthetics.
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spelling doaj.art-27665f2e5e3f43c3a932b77ef0029c612022-12-22T03:49:15ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602021-06-01113Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titreGustavo Vicente0Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa This paper argues that Sans-titre, by the choreographer Raimund Hoghe (2009), proposes that it is through a movement of release from the static forces of cultural representation that the subject may become closer to others as humans. In other words, the subject may thus build a relationship based on ethics. The analysis draws on a subjective interpretation that unfolds according to the narrative sequence of the performance, therefore trying to free itself from the neutral (and potentially simplistic) look commonly associated with traditional academic models, while at the same time raising new critical possibilities around reception aesthetics. https://seer.ufrgs.br/index.php/presenca/article/view/112445BodyEmbodimentAffectsCultural RepresentationSpectatorship.
spellingShingle Gustavo Vicente
Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre
Revista Brasileira de Estudos da Presença
Body
Embodiment
Affects
Cultural Representation
Spectatorship.
title Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre
title_full Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre
title_fullStr Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre
title_full_unstemmed Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre
title_short Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre
title_sort transient bodies in hard topographies a guide for life together in raimund hoghe s sans titre
topic Body
Embodiment
Affects
Cultural Representation
Spectatorship.
url https://seer.ufrgs.br/index.php/presenca/article/view/112445
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