Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre
This paper argues that Sans-titre, by the choreographer Raimund Hoghe (2009), proposes that it is through a movement of release from the static forces of cultural representation that the subject may become closer to others as humans. In other words, the subject may thus build a relationship based o...
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Format: | Article |
Language: | English |
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Universidade Federal do Rio Grande do Sul
2021-06-01
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Series: | Revista Brasileira de Estudos da Presença |
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Online Access: | https://seer.ufrgs.br/index.php/presenca/article/view/112445 |
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author | Gustavo Vicente |
author_facet | Gustavo Vicente |
author_sort | Gustavo Vicente |
collection | DOAJ |
description |
This paper argues that Sans-titre, by the choreographer Raimund Hoghe (2009), proposes that it is through a movement of release from the static forces of cultural representation that the subject may become closer to others as humans. In other words, the subject may thus build a relationship based on ethics. The analysis draws on a subjective interpretation that unfolds according to the narrative sequence of the performance, therefore trying to free itself from the neutral (and potentially simplistic) look commonly associated with traditional academic models, while at the same time raising new critical possibilities around reception aesthetics.
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first_indexed | 2024-04-12T03:41:50Z |
format | Article |
id | doaj.art-27665f2e5e3f43c3a932b77ef0029c61 |
institution | Directory Open Access Journal |
issn | 2237-2660 |
language | English |
last_indexed | 2024-04-12T03:41:50Z |
publishDate | 2021-06-01 |
publisher | Universidade Federal do Rio Grande do Sul |
record_format | Article |
series | Revista Brasileira de Estudos da Presença |
spelling | doaj.art-27665f2e5e3f43c3a932b77ef0029c612022-12-22T03:49:15ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602021-06-01113Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titreGustavo Vicente0Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa This paper argues that Sans-titre, by the choreographer Raimund Hoghe (2009), proposes that it is through a movement of release from the static forces of cultural representation that the subject may become closer to others as humans. In other words, the subject may thus build a relationship based on ethics. The analysis draws on a subjective interpretation that unfolds according to the narrative sequence of the performance, therefore trying to free itself from the neutral (and potentially simplistic) look commonly associated with traditional academic models, while at the same time raising new critical possibilities around reception aesthetics. https://seer.ufrgs.br/index.php/presenca/article/view/112445BodyEmbodimentAffectsCultural RepresentationSpectatorship. |
spellingShingle | Gustavo Vicente Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre Revista Brasileira de Estudos da Presença Body Embodiment Affects Cultural Representation Spectatorship. |
title | Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre |
title_full | Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre |
title_fullStr | Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre |
title_full_unstemmed | Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre |
title_short | Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre |
title_sort | transient bodies in hard topographies a guide for life together in raimund hoghe s sans titre |
topic | Body Embodiment Affects Cultural Representation Spectatorship. |
url | https://seer.ufrgs.br/index.php/presenca/article/view/112445 |
work_keys_str_mv | AT gustavovicente transientbodiesinhardtopographiesaguideforlifetogetherinraimundhoghessanstitre |